"Debussy: Nuit d'étoiles, CD 2, L. 4" by Claude Debussy, Sabine Devieilhe, Alexandre Tharaud was released on January 21, 2024. The duration of Debussy: Nuit d'étoiles, CD 2, L. 4 is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Debussy: Nuit d'étoiles, CD 2, L. 4's duration is considered a little bit shorter than the average duration of a typical track. The song is number 23 out of 47 in Debussy: Clair de lune and Other Masterpieces by Claude Debussy. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Debussy: Nuit d'étoiles, CD 2, L. 4 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Debussy: Nuit d'étoiles, CD 2, L. 4 by Claude Debussy, Sabine Devieilhe, Alexandre Tharaud is Moderato (at a moderate speed), since this song has a tempo of 113 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Offenbach: Les contes d'Hoffmann, Act II: "Les oiseaux dans la charmille" (Olympia) | Jacques Offenbach, Natalie Dessay, Patrick Fournillier, Monte-Carlo Philharmonic Orchestra | A♭ Major | 0 | 4B | 174 BPM | ||
12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano) | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | A Major | 1 | 11B | 89 BPM | ||
Strauss, R: Brentano Lieder, Op. 68: No. 5, Amor | Richard Strauss, Sabine Devieilhe, Mathieu Pordoy | D Minor | 2 | 7A | 82 BPM | ||
Requiem, Op.48: 7. In Paradisum (Chorus) | Gabriel Fauré, Timothy Farrell, Philharmonia Orchestra, Carlo Maria Giulini, Philharmonia Chorus London | D Major | 0 | 10B | 63 BPM | ||
Elégie in C Minor, Op. 24 (Arr. Parkin) | Gabriel Fauré, Sheku Kanneh-Mason, Rowena Calvert, Ashok Klouda, Nicholas Trygstad, Caroline Dearnley, Desmond Neysmith, Josephine Knight, Hannah Roberts, Chris Murray, Robert Max | A♭ Major | 0 | 4B | 88 BPM | ||
3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major (Arr. P. Gouin for Cello & Piano) | Gabriel Fauré, Jesper Svedberg, Simon Crawford-Phillips | A Major | 0 | 11B | 79 BPM | ||
Dialogue Du Vent Et De La Mer | Claude Debussy, Jun Märkl, Orchestre National De Lyon | D♭ Major | 2 | 3B | 80 BPM | ||
Wesendonck Lieder, WWV 91: Schmerzen | Richard Wagner, Jessye Norman, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 132 BPM | ||
Stravinsky: The Rite of Spring, Pt. 1 "Adoration of the Earth": Introduction - Augurs of Spring - Dances of the Young Girls - Ritual of Abduction | Igor Stravinsky, Sir Simon Rattle, City Of Birmingham Symphony Orchestra | A Major | 1 | 11B | 103 BPM | ||
Children's Corner (arr. A. Caplet for orchestra): The Little Shepherd | Andre Caplet, Claude Debussy, Rheinland-Pfalz State Philharmonic Orchestra, Leif Segerstam | D Major | 0 | 10B | 78 BPM |
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