Jacinto Guerrero, Nicasio Tejada made "La Rosa del Azafrán: Introducción: "Acudid, Muchachas"" available on October 9, 1959. With La Rosa del Azafrán: Introducción: "Acudid, Muchachas" being less than two minutes long, at 1:01, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Jacinto Guerrero, Nicasio Tejada's "La Rosa del Azafrán" album is number 14 out of 18. On top of that, Spain appears to be the country where this track was created. La Rosa del Azafrán: Introducción: "Acudid, Muchachas" is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of La Rosa del Azafrán: Introducción: "Acudid, Muchachas" by Jacinto Guerrero, Nicasio Tejada to be Andante (at a walking pace) because the track has a tempo of 89 BPM, a half-time of 44BPM, and a double-time of 178 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
El Huesped del Sevillano: "mujer de los Ojos Negros" | Juan Ignacio Luca de Tena, Enrique Reoyo, Jacinto Guerrero, Marcos Redondo | G Major | 1 | 9B | 86 BPM | ||
Los Gavilanes, Acto I: El Dinero Que Atesoro (Tango Milonga) - Remastered | José Ramos Martín, Jacinto Guerrero, Marcos Redondo | C Minor | 3 | 5A | 76 BPM | ||
Stil maar wacht maar | Tenor Florian | A♭ Major | 3 | 4B | 71 BPM | ||
Salmo 30. Antífona 3ª. Salmo para el Tiempo de Pentecostés | Coro Ametsa de Irún, Fernando Echepare | E Major | 3 | 12B | 109 BPM | ||
Vous perdre | Juliette Leroux, David Teres | F Minor | 0 | 4A | 74 BPM | ||
Salmo 99. Antífona 3: Aclamad al Señor - Remastered | Escolanía Virgen del Camino | C Major | 1 | 8B | 104 BPM | ||
Sinfonia di luce | Spero Bongiolatti | D♭ Major | 2 | 3B | 86 BPM | ||
Slavonic Dance | HAUSER | E♭ Major | 3 | 5B | 77 BPM | ||
Bajo los Puentes de París | Nati Mistral | C Major | 3 | 8B | 70 BPM | ||
La Leyenda del Beso: Intermezzo | Reveriano Soutullo, Juan Vert, Bratislava Symphony Orchestra, David Hernando Rico | D Major | 1 | 10B | 115 BPM |
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