Juan Ignacio Luca de Tena, Enrique Reoyo, Jacinto Guerrero, Marcos Redondo's 'El Huesped del Sevillano: "mujer de los Ojos Negros"' came out on January 15, 2013. With this song being around four minutes long, at 3:36, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Voces Legendarias (Zarzuela) by Miguel Fleta, Alfredo Kraus, Marcos Redondo. The song's track number on the album is #21 out of 56 tracks. El Huesped del Sevillano: "mujer de los Ojos Negros" is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since El Huesped del Sevillano: "mujer de los Ojos Negros" by Juan Ignacio Luca de Tena, Enrique Reoyo, Jacinto Guerrero, Marcos Redondo has a tempo of 86 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With El Huesped del Sevillano: "mujer de los Ojos Negros" being at 86 BPM, the half-time would be 43 BPM with a double-time of 172 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 1/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Chulapona: "Como Soy Chulapona" | Teresa Berganza | G Major | 3 | 9B | 120 BPM | ||
Core ‘ngrato | Roberto Alagna, London Orchestra, Yvan Cassar | E♭ Major | 3 | 5B | 74 BPM | ||
Andrea Chénier, Act IV: Come un bel dì di maggio | Umberto Giordano, Vittorio Grigolo, Pier Giorgio Morandi, Czech National Symphony Orchestra | F♯ Minor | 2 | 11A | 82 BPM | ||
Cavalleria rusticana: "Voi lo sapete, o mama" (Romanza) | Pietro Mascagni, Fiorenza Cossotto, Maria Gracia Allegri, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan | D Major | 3 | 10B | 108 BPM | ||
Coro de los Gitanos de Il Trovatore (De "Una Noche en la Opera") | The Oscar's Orchestra | G Major | 2 | 9B | 135 BPM | ||
La Verbena de la Paloma, Act I: La Virgen de la Paloma (Chœur) | Tomás Bretón, Antoni Ros Marbá, Coro De La Comunidad De Madrid, Miguel Groba, Orquesta Sinfónica de Madrid | D Major | 4 | 10B | 81 BPM | ||
Luisa Fernanda, Acto i: Caballero del alto plumero | Estrella Alsina, José Perera, Orquesta de Conciertos de Madrid, Pedro Lavirgen, Teresa Tourné | A Major | 2 | 11B | 85 BPM | ||
La Bohème (2003 Digital Remaster), ATTO SECONDO/ACT 2/ZWEITER AKT/DEUXIÈME ACTE: Quando me'n vo | Maria Callas, Georges Prêtre, Orchestre National de la RTF | D♭ Major | 2 | 3B | 80 BPM | ||
La Verbena de la Paloma, Act I: Rita y Julián (Rita, Julián, Guardia 1, Guardia 2, Casta, Susana, Antonia, Hilarión) | Tomás Bretón, Rafael Castejon, Antoni Ros Marbá, Orquesta Sinfónica de Madrid | C Major | 2 | 8B | 96 BPM | ||
Torrevieja | Habaneras | D Major | 2 | 10B | 106 BPM |
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