José Ramos Martín, Jacinto Guerrero, Marcos Redondo made "Los Gavilanes, Acto I: El Dinero Que Atesoro (Tango Milonga) - Remastered" available on March 31, 2014. The duration of Los Gavilanes, Acto I: El Dinero Que Atesoro (Tango Milonga) - Remastered is about 3 minutes long, at 3:09. Based on our data, "Los Gavilanes, Acto I: El Dinero Que Atesoro (Tango Milonga) - Remastered" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 11 out of 34 in El Divo by Marcos Redondo. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. Los Gavilanes, Acto I: El Dinero Que Atesoro (Tango Milonga) - Remastered is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Los Gavilanes, Acto I: El Dinero Que Atesoro (Tango Milonga) - Remastered by José Ramos Martín, Jacinto Guerrero, Marcos Redondo is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bellini: I puritani, Act 1: "Ah per sempre io ti perdei" (Riccardo) | Vincenzo Bellini, Ernest Blanc, Orchestre De La Société Des Concerts Du Conservatoire, Georges Prêtre | D♭ Major | 2 | 3B | 136 BPM | ||
Golondrina de Madrid: "Intermedio" | Luis Fernández de Sevilla, Jose Serrano, Orquesta del Teatro Calderón | B♭ Major | 3 | 6B | 103 BPM | ||
El Barber: 6 Prelidio Acto III | Orfeon Donostiarra | A Major | 3 | 11B | 136 BPM | ||
La Montería: "Ven, Que Amor Eterno Te Vengo a Ofrecer" | José Ramos Martín, Jacinto Guerrero, Gran Orquesta Sinfonica | E♭ Major | 3 | 5B | 73 BPM | ||
8 Gedichte aus 'Letzte Blätter', Op. 10, TrV 141: No. 8, Allerseelen (Arr. R. Heger for Soprano & Orchestra) | Richard Strauss, Hanna-Elisabeth Müller, WDR Sinfonieorchester Köln, Christoph Eschenbach | B♭ Major | 0 | 6B | 82 BPM | ||
Solo Dios | Erick | D♭ Major | 2 | 3B | 149 BPM | ||
Tango De La Luna | Mantovani y Su Gran Orquesta | G Major | 4 | 9B | 131 BPM | ||
Golondrina de Madrid: "A la Jácara, Jácara, Jácara, Jácara..." | Luis Fernández de Sevilla, Jose Serrano, Orquesta del Teatro Calderón | B♭ Major | 3 | 6B | 103 BPM | ||
Faust: Hoch, Ruhm und Ehre | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Rafael Frühbeck de Burgos | B♭ Major | 3 | 6B | 117 BPM | ||
La Boheme, erster Akt: Si puo ? | Coro del Teatro Municipale di Reggio Emilia, Orchestra del Teatro Municipale di Reggio Emilia, Francesco Molinari-Pradelli | A♭ Major | 4 | 4B | 107 BPM |
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