Luis Fernández de Sevilla, Jose Serrano, Orquesta del Teatro Calderón made "Golondrina de Madrid: "Intermedio"" available on December 2, 2013. Golondrina de Madrid: "Intermedio" is about six minutes long, preciously at 5:44, making this song fairly long compared to other songs. This song is part of Zarzuelas: Golondrina de Madrid y Manuelita Rosas by Orquesta del Teatro Calderón. The song's track number on the album is #4 out of 16 tracks. Based on our data, Spain was the country where this track was produced or recorded. In terms of popularity, Golondrina de Madrid: "Intermedio" is currently unknown. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
Since Golondrina de Madrid: "Intermedio" by Luis Fernández de Sevilla, Jose Serrano, Orquesta del Teatro Calderón has a tempo of 103 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Golondrina de Madrid: "Intermedio" being at 103 BPM, the half-time would be 52 BPM with a double-time of 206 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bien se ve | Imperio Argentina | E Major | 2 | 12B | 91 BPM | ||
Los Claveles: "Tenga Usted Buenas Tardes, Señor Cajero" | Luis Fernández de Sevilla, Carreño, Jose Serrano, Ataúlfo Argenta, Gran Orquesta de Cámara de Madrid | D Major | 5 | 10B | 143 BPM | ||
Jota | Los Tenampas | E Major | 6 | 12B | 108 BPM | ||
Todos vienen a lo mismo | Carmen Flores | D Major | 1 | 10B | 131 BPM | ||
Coplas Del "Yo Te Quiero" | Antoñita Moreno | F♯ Minor | 3 | 11A | 82 BPM | ||
Chotis De Los Corazones Chotis Del Ta-Ca-Tá) | Elena Salvador / Luis Bori / Luir Heredia / Coro | B Major | 2 | 1B | 81 BPM | ||
El lindo Ramón | Raquel Rodrigo | B♭ Minor | 2 | 3A | 138 BPM | ||
Molinos de Viento: Melopea, final de la obra | Manuel Hernández, Felisa Herrero, Marcos Redondo, Delfín Pulido | F Major | 2 | 7B | 76 BPM | ||
Salmo 140. Antífona 1ª. Oración de la Tarde | Coro Ametsa de Irún, Fernando Echepare | E Major | 3 | 12B | 109 BPM | ||
La Verbena de la Paloma: Cancion de Julian - Concertante | Tomás Bretón, Coros Cantores De Madrid, Federico Moreno Torroba, José Perera, Orquesta de Conciertos de Madrid, Teresa Tourné, Renato Cesari | F Major | 2 | 7B | 93 BPM |
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