"Don Giovanni, K.527 / Act 2: Ahi, ahi! La testa mia!" by Wolfgang Amadeus Mozart, Alfredo Mariotti, Reri Grist, Orchestra Of The National Theatre Prague, Karl Böhm was released on August 1, 1967. With Don Giovanni, K.527 / Act 2: Ahi, ahi! La testa mia! being less than two minutes long, at 1:19, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Wolfgang Amadeus Mozart, Orchestre du Théatre National de Prague, Karl Böhm's "Mozart: Don Giovanni" album is number 19 out of 63. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Don Giovanni, K.527 / Act 2: Ahi, ahi! La testa mia! is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Don Giovanni, K.527 / Act 2: Ahi, ahi! La testa mia! by Wolfgang Amadeus Mozart, Alfredo Mariotti, Reri Grist, Orchestra Of The National Theatre Prague, Karl Böhm to be Moderato (at a moderate speed) because the track has a tempo of 119 BPM, a half-time of 60BPM, and a double-time of 238 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
The music key of this track is B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
Violin Concerto No. 5 in A Major, K. 219 "Turkish": 3. Rondeau. Tempo di Menuetto - Cadenza: Joseph Joachim | Wolfgang Amadeus Mozart, Joseph Joachim, Itzhak Perlman, Wiener Philharmoniker, James Levine | G Major | 2 | 9B | 127 BPM | ||
Schumann: Davidsbündlertänze, Op. 6, Heft II: No. 14, Zart und singend | Robert Schumann, Jonathan Biss | E♭ Major | 0 | 5B | 135 BPM | ||
Souvenir de Hapsal, Op. 2, TH 125: 3. Chant sans paroles | Pyotr Ilyich Tchaikovsky, Valentina Lisitsa | F Major | 0 | 7B | 100 BPM | ||
Mozart: Requiem in D Minor, K. 626: IX. Domine Jesu Christe | Wolfgang Amadeus Mozart, Rachel Yakar, Ortrun Wenkel, Kurt Equiluz, Robert Holl, Nikolaus Harnoncourt & Concentus musicus Wien, Vienna State Opera Chorus, Kurt Equiluz, Ortrun Wenkel, Rachel Yakar, Robert Holl, Nikolaus Harnoncourt, Concentus Musicus Wien | B Major | 1 | 1B | 86 BPM | ||
Borodin - String Quartet No.2 in D major: Notturno: Andante | Alexander Borodin, Borodin Quartet | A Major | 2 | 11B | 74 BPM | ||
Goldberg Variations, BWV 988: Var. 1 | Johann Sebastian Bach, Murray Perahia | G Major | 3 | 9B | 106 BPM | ||
2 Part Invention In F Major, BWV 779: Two-part Invention In F Major, BWV 779 | Janos Sebestyen, Johann Sebastian Bach | F Major | 3 | 7B | 123 BPM | ||
Schumann: Bunte Blätter, Op. 99: No. 6, Albumblätter III | Robert Schumann, Maria João Pires | A♭ Major | 0 | 4B | 91 BPM | ||
Souvenir d'un lieu cher, Op. 42: 3. Mélodie | Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding | E♭ Major | 0 | 5B | 99 BPM |
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