"Peer Gynt Suite No. 1, Op. 46: III. Anitra's Dance. Tempo di mazurka" by Edvard Grieg, Leonard Bernstein, New York Philharmonic was released on December 22, 2017. With this song being around four minutes long, at 3:36, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 14 out of 19 in Bizet: Carmen Suites Nos. 1 & 2 - Grieg: Peer Gynt Suites Nos. 1 & 2 by Leonard Bernstein, New York Philharmonic. Peer Gynt Suite No. 1, Op. 46: III. Anitra's Dance. Tempo di mazurka is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Peer Gynt Suite No. 1, Op. 46: III. Anitra's Dance. Tempo di mazurka by Edvard Grieg, Leonard Bernstein, New York Philharmonic is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Aleko: Intermezzo | Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel | B♭ Major | 0 | 6B | 90 BPM | ||
Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King. Alla marcia e molto marcato | Edvard Grieg, Leonard Bernstein, New York Philharmonic | G Major | 3 | 9B | 119 BPM | ||
Violin Concerto in D Minor, Op.47 (1985 - Remaster): II. Adagio di molto | Jean Sibelius, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | B♭ Major | 1 | 6B | 87 BPM | ||
Symphonie espagnole, Op. 21: V. Rondo | Édouard Lalo, Itzhak Perlman, André Previn, London Symphony Orchestra | D Major | 2 | 10B | 109 BPM | ||
Islamey - Oriental Fantasy, Op. 18 | Mily Balakirev, Borusan Istanbul Philharmonic Orchestra, Pelin Halkacı Alkın, Sascha Goetzel | D♭ Major | 3 | 3B | 77 BPM | ||
Rachmaninov: Symphony No. 2 in E Minor, Op. 27: II. Allegro molto | Sergei Rachmaninoff, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra | F Major | 1 | 7B | 142 BPM | ||
Carmen Suite No. 1: Aragonaise. Allegro vivo (Prelude to Act IV) | Georges Bizet, Leonard Bernstein, New York Philharmonic | G Minor | 2 | 6A | 113 BPM | ||
Symphony No. 9 in D Minor, Op. 125 "Choral": II. Scherzo. Molto vivace - Presto | Ludwig van Beethoven, Zubin Mehta, New York Philharmonic | D Minor | 2 | 7A | 121 BPM | ||
Violin Concerto in D Major, Op. 77: Violin Concerto in D Major, Op. 77: III. Allegro giocoso, ma non troppo vivace | Johannes Brahms, Isabelle Faust, Daniel Harding | D Major | 2 | 10B | 96 BPM | ||
Two Elegiac Melodies, Op.34: 1. Heart-Wounds | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | A♭ Major | 0 | 4B | 115 BPM |
Section: 1.2602500915527344
End: 1.263723373413086