"Missa solemnis in C, K.337: 6. Agnus Dei" by Wolfgang Amadeus Mozart, Margaret Marshall, Ann Murray, Rogers Covey-Crump, David Wilson-Johnson, Choir of King's College, Cambridge, English Chamber Orchestra, Stephen Cleobury was released on January 1, 1995. Missa solemnis in C, K.337: 6. Agnus Dei is about six minutes long, preciously at 5:54, making this song fairly long compared to other songs. The track order of this song in Wolfgang Amadeus Mozart, Choir of King's College, Cambridge, English Chamber Orchestra, Stephen Cleobury's "Mozart: Coronation Mass/Missa Solemnis/Mass in C" album is number 11 out of 17. On top of that, United Kingdom appears to be the country where this track was created. Missa solemnis in C, K.337: 6. Agnus Dei is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Missa solemnis in C, K.337: 6. Agnus Dei by Wolfgang Amadeus Mozart, Margaret Marshall, Ann Murray, Rogers Covey-Crump, David Wilson-Johnson, Choir of King's College, Cambridge, English Chamber Orchestra, Stephen Cleobury to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony in E minor, H.I No. 44 -"Mourning": 1. Allegro con brio | Joseph Haydn, English Chamber Orchestra, Daniel Barenboim | G Major | 5 | 9B | 119 BPM | ||
Le nozze di Figaro, K.492 / Act 3: "Che soave zeffiretto" | Wolfgang Amadeus Mozart, Alison Hagley, Hillevi Martinpelto, English Baroque Soloists, John Eliot Gardiner | B♭ Major | 0 | 6B | 86 BPM | ||
Exsultate, Jubilate, K. 165: Alleluia | Camerata Cassovia, Priti Coles, Anonymous, Wolfgang Amadeus Mozart | F Major | 2 | 7B | 122 BPM | ||
La Rondine / Act 1: "Chi il bel sogno di Doretta" | Giacomo Puccini, Renée Fleming, English Chamber Orchestra, Jeffrey Tate | F Major | 2 | 7B | 166 BPM | ||
Concerto for 2 Pianos and Orchestra (No.10) in E flat, K.365: 1. Allegro | Wolfgang Amadeus Mozart, Alfred Brendel, Imogen Cooper, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Major | 2 | 5B | 138 BPM | ||
The Road Home | Stephen Paulus, Stephen Cleobury, Choir of King's College, Cambridge | F Major | 1 | 7B | 120 BPM | ||
Haydn: Mass in B-Flat Major, Hob. XXII:10 "Heiligmesse": Gloria | Joseph Haydn, Sir Neville Marriner, Hansjürgen Scholze, MDR Leipzig Radio Chorus, Staatskapelle Dresden | B♭ Major | 2 | 6B | 131 BPM | ||
Orfeo ed Euridice (Orphée et Euridice), Wq. 30 / Act 3: "Che farò senza Euridice?" | Christoph Willibald Gluck, Janet Baker, English Chamber Orchestra, Raymond Leppard | D Major | 1 | 10B | 96 BPM | ||
Divertimento In B Flat Major Kv 186: Allegro Assai | Arts Music Recording, Rotterdam, Remco De Vries, Sandra Zoer, Jos Buurman, Jan Jansen, Wolfgang Amadeus Mozart, Dymphna Van Dooremaal, Johan Steinmann, Martin Van De Merwe, Ron Tyhuis, Irma Kort, Henk De Graaf | D Major | 2 | 10B | 148 BPM | ||
Requiem In D Minor, K. 626: Sequence: III. Rex Tremendae Majestatis | Slovak Philharmonic, Magdaléna Hajóssyová, Jozef Kundlák, Slovak Philharmonic Chorus, Peter Mikulas, Jaroslava Horska, Stefan Klimo, Vladimir Ruso, Wolfgang Amadeus Mozart | G Minor | 1 | 6A | 82 BPM |
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