Haydn: Mass in B-Flat Major, Hob. XXII:10 "Heiligmesse": Gloria - Joseph Haydn, Sir Neville Marriner, Hansjürgen Scholze, MDR Leipzig Radio Chorus, Staatskapelle Dresden Information

Acousticness: 97%
Danceability: 28%
Energy: 20%
Instrumentalness: 0%
Liveness: 14%
Loudness: 68%
Speechiness: 4%
Valence: 26%
Popularity: 10%
Loudness: -19.131 dB

Summary

Joseph Haydn, Sir Neville Marriner, Hansjürgen Scholze, MDR Leipzig Radio Chorus, Staatskapelle Dresden's 'Haydn: Mass in B-Flat Major, Hob. XXII:10 "Heiligmesse": Gloria' came out on 1995. The duration of Haydn: Mass in B-Flat Major, Hob. XXII:10 "Heiligmesse": Gloria is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. Haydn: Mass in B-Flat Major, Hob. XXII:10 "Heiligmesse": Gloria's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Joseph Haydn, Sir Neville Marriner's "Haydn: Masses" album is number 2 out of 41. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Haydn: Mass in B-Flat Major, Hob. XXII:10 "Heiligmesse": Gloria's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Haydn: Mass in B-Flat Major, Hob. XXII:10 "Heiligmesse": Gloria BPM

We consider the tempo marking of Haydn: Mass in B-Flat Major, Hob. XXII:10 "Heiligmesse": Gloria by Joseph Haydn, Sir Neville Marriner, Hansjürgen Scholze, MDR Leipzig Radio Chorus, Staatskapelle Dresden to be Allegro (fast, quick, and bright) because the track has a tempo of 131 BPM, a half-time of 66BPM, and a double-time of 262 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.

Haydn: Mass in B-Flat Major, Hob. XXII:10 "Heiligmesse": Gloria Key

This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
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Mass No. 1 in D Minor, WAB 26: Credo	Anton Bruckner, Luba Orgonasova, Bernarda Fink, Christoph Prégardien, Eike Wilm Schulte, The Monteverdi Choir, Wiener Philharmoniker, John Eliot Gardiner	D Minor	0	7A	124 BPM
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Missa brevis Sancti Joannis de Deo "Little Organ Mass" XXII:7: Credo - Allegro - Adagio - Allegro	American Bach Soloists	B♭ Major	1	6B	63 BPM
Serenade for strings in E Minor, Op. 20	Edward Elgar, Academy of St. Martin in the Fields, Sir Neville Marriner	E Minor	1	9A	81 BPM
Schubert: Mass in G Major, D. 167: Credo	Franz Schubert, Lucia Popp, Elmar Schloter, Wolfgang Sawallisch, Bavarian Radio Symphony Orchestra	E Minor	0	9A	124 BPM
Stabat Mater: 8. Fac ut ardeat	Giovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson	G Minor	2	6A	110 BPM
Orfeo ed Euridice: Act II, Scene 2, Coro: Torna, o bella, al tuo consorte	Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor	F Major	1	7B	131 BPM
Orfeo ed Euridice: Act III, Scene 1, Orfeo ed Euridice: Vieni! Segui i miei passi	Christoph Willibald Gluck, René Jacobs, RIAS Kammerchor, Veronica Cangemi, Freiburger Barockorchester, Bernarda Fink	A Major	0	11B	97 BPM
Pelléas et Mélisande, Op.80: 3. Sicilienne	Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner	G Minor	0	6A	111 BPM

ISRC: GBAYC8602049
Label: L-M Records/RCA Records

Section: 0.7201557159423828

End: 0.7248392105102539