"Das Nachtlager in Granada / Act 2: "Doch nun zu dir" - "Trenne nicht das Band der Liebe"" by Conradin Kreutzer, Erika Köth, Fritz Wunderlich, Hermann Prey, Kurt Eichhorn, Munich Radio Orchestra was released on January 1, 1991. Das Nachtlager in Granada / Act 2: "Doch nun zu dir" - "Trenne nicht das Band der Liebe" is about six minutes long, preciously at 5:46, making this song fairly long compared to other songs. The song is number 12 out of 94 in Fritz Wunderlich sings by Fritz Wunderlich. The popularity of Das Nachtlager in Granada / Act 2: "Doch nun zu dir" - "Trenne nicht das Band der Liebe" is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Das Nachtlager in Granada / Act 2: "Doch nun zu dir" - "Trenne nicht das Band der Liebe" by Conradin Kreutzer, Erika Köth, Fritz Wunderlich, Hermann Prey, Kurt Eichhorn, Munich Radio Orchestra is Vivace (lively and fast), since this song has a tempo of 169 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
He Hopes I Go Crazy | Paolo MIllon, Neon Lilith, Andrea Sullivan, Alan R Black | F Major | 3 | 7B | 80 BPM | ||
383 (H4) - Não tardará, não tardará | Orquestra Sacra | A♭ Major | 2 | 4B | 79 BPM | ||
Schubert: Deutsche Messe, D. 872: No. 1, Zum Eingang | Franz Schubert, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Wolfgang Sawallisch, Elmar Schloter | E Minor | 0 | 9A | 124 BPM | ||
Uber allen Gipfeln ist Ruh | Friedrich Kuhlau, Carl Maria von Weber Men's Choir, Berlin | A Major | 1 | 11B | 177 BPM | ||
Credo, RV 591: Crucifixus | Antonio Vivaldi, Carlo Maria Giulini, Berliner Philharmoniker | E♭ Minor | 1 | 2A | 63 BPM | ||
Ave verum corpus, K. 618 | Wolfgang Amadeus Mozart, Vienna Boys' Choir, Chorus Viennensis, Vienna Volksoper Orchestra, Peter Marschik | G Minor | 0 | 6A | 75 BPM | ||
Große Messe C Major, op.86: Kyrie | Ludwig van Beethoven, Regine Hangler, Martina Mikelic, Ilker Arkayürek, Christian Hübner, Chor von St. Augustin, Robert Rieder | G Major | 1 | 9B | 92 BPM | ||
О, я грешник бедный | Західноукраїнське об'єднання МСЦ ЄХБ | D Major | 4 | 10B | 160 BPM | ||
Misatango, Misa a Buenos Aires: IV. Qui tollis | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | F Minor | 1 | 4A | 75 BPM | ||
Kreutzer: Das Nachtlager in Granada, Act 1 Scene 8: No. 12b, Schlussgesang, "Schon die Abendglocken klangen" (Die Hirten) | Conradin Kreutzer, Friedrich Kind, Karl Johann Braun Ritter von Braunthal, Chor der Deutschen Oper Berlin/Berliner Symphoniker/Wilhelm Schüchter, Wilhelm Schüchter, Berliner Symphoniker | D Major | 1 | 10B | 126 BPM |
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