"Lohengrin, Act I: "Nun sein bedankt, mein lieber Schwan!"" by Hannelore Kuhse, Theo Adam, Chor der Deutschen Staatsoper Berlin, Staatskapelle Berlin, Otmar Suitner was released on 1974. Since Lohengrin, Act I: "Nun sein bedankt, mein lieber Schwan!" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Wagner: Lohengrin (Highlights) by Staatskapelle Berlin, Chor der Deutschen Staatsoper Berlin, Otmar Suitner. The song's track number on the album is #3 out of 8 tracks. Lohengrin, Act I: "Nun sein bedankt, mein lieber Schwan!" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Lohengrin, Act I: "Nun sein bedankt, mein lieber Schwan!" by Hannelore Kuhse, Theo Adam, Chor der Deutschen Staatsoper Berlin, Staatskapelle Berlin, Otmar Suitner has a tempo of 80 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Lohengrin, Act I: "Nun sein bedankt, mein lieber Schwan!" being at 80 BPM, the half-time would be 40 BPM with a double-time of 160 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il barbiere di Siviglia / Act 1: "Una voce poco fa" - "Sì, sì, la vincerò" (Rosina / Rosina, Figaro, Bartolo, Basilio) | Gioachino Rossini, Gianna D'Angelo, Renato Capecchi, Giorgio Tadeo, Carlo Cava, Bavarian Radio Symphony Orchestra, Bruno Bartoletti | F Major | 1 | 7B | 133 BPM | ||
Die Fledermaus / Act 1: Nr.1 Introduktion: "Täubchen, das entflattert ist" - Edit | Johann Strauss II, Hilde Gueden, Erika Köth, Giuseppe Zampieri, Wiener Philharmoniker, Herbert von Karajan | C Major | 0 | 8B | 66 BPM | ||
Don Carlos, Act IV: "Du, im irdischen Wahn einst befangen" | Giuseppe Verdi, Hannelore Kuhse, Heinz Fricke, Staatskapelle Berlin | E♭ Major | 2 | 5B | 84 BPM | ||
Iphigénie en Tauride, Wq. 46 (Excerpts): Patrie infortunée | Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Pilar Lorengar | G Major | 1 | 9B | 86 BPM | ||
Tiefland, Op. 34: Act II, Scene 2: "Da ist Marta. Nun will ich gehen" | Eugen d'Albert, Staatskapelle Dresden, Paul Schmitz, Hannelore Kuhse, Rosemarie Rönisch, Heinz Hoppe | C Major | 1 | 8B | 165 BPM | ||
Lohengrin: Act I - "Einsam in trüben Tagen" | Staatskapelle Berlin, Chor der Deutschen Staatsoper Berlin, Otmar Suitner, Theo Adam, Hannelore Kuhse | A♭ Major | 2 | 4B | 75 BPM | ||
La forza del destino, Act IV, Scene I: Invano Alvaro | Giuseppe Verdi, Simone Piazzola, Andrea Bocelli, Orchestra del Teatro Carlo Felice di Genova, Valerio Galli | C Minor | 2 | 5A | 88 BPM | ||
Paulus, Op.36, MWV A14 / Part 1: No.7 Arie: "Jerusalem! Die du tötest die Propheten" | Felix Mendelssohn, Gundula Janowitz, Gewandhausorchester, Kurt Masur | D Major | 1 | 10B | 117 BPM | ||
Les 7 paroles du Christ: Introduction, “O vos omnes” | Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold Wicke | D Minor | 1 | 7A | 112 BPM | ||
La rosa y el sauce | Tamara Radjenovic, Makris Symphony Orchestra | F Major | 0 | 7B | 106 BPM |
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