Igor Stravinsky, Teresa Berganza, Ryland Davies, John Shirley-Quirk, London Symphony Orchestra, Claudio Abbado's 'Pulcinella Ballet In One Act - Revised Version Of 1947: 10. Largo (Trio) "Sento dire no'ncè pace" - Allegro "Chi disse cà la femmena" - Presto (Duetto) "Ncè sta quaccuna po'"/"Una te fa la nzemprece" - Larghetto' came out on January 1, 1997. Since Pulcinella Ballet In One Act - Revised Version Of 1947: 10. Largo (Trio) "Sento dire no'ncè pace" - Allegro "Chi disse cà la femmena" - Presto (Duetto) "Ncè sta quaccuna po'"/"Una te fa la nzemprece" - Larghetto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 54 in the song's album "Stravinsky: Le Sacre du Printemps; The Firebird; Pétrouchka; Pulcinella; Jeu de cartes". In this album, this song's track order is #26. Furthermore, we believe that the track originated from Germany. Based on our statistics, Pulcinella Ballet In One Act - Revised Version Of 1947: 10. Largo (Trio) "Sento dire no'ncè pace" - Allegro "Chi disse cà la femmena" - Presto (Duetto) "Ncè sta quaccuna po'"/"Una te fa la nzemprece" - Larghetto's popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Pulcinella Ballet In One Act - Revised Version Of 1947: 10. Largo (Trio) "Sento dire no'ncè pace" - Allegro "Chi disse cà la femmena" - Presto (Duetto) "Ncè sta quaccuna po'"/"Una te fa la nzemprece" - Larghetto by Igor Stravinsky, Teresa Berganza, Ryland Davies, John Shirley-Quirk, London Symphony Orchestra, Claudio Abbado having a BPM of 122 with a half-time of 61 BPM and a double-time of 244 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stravinsky: Symphony in C: I. Moderato alla breve | Igor Stravinsky, Sir Simon Rattle, Berliner Philharmoniker | C Major | 0 | 8B | 147 BPM | ||
Concerto for Orchestra, Sz. 116: 4. Intermezzo interrotto (Allegretto) | Béla Bartók, Berliner Philharmoniker, Herbert von Karajan | F Major | 0 | 7B | 96 BPM | ||
Concerto in E-Flat Major, "Dumbarton Oaks": I. Tempo giusto | Igor Stravinsky, Orchestra of St. Luke's, Robert Craft | E♭ Major | 2 | 5B | 91 BPM | ||
Oboe Concerto: II. Minuet and Musette. Allegro moderato | Ralph Vaughan Williams, Peter Oundjian, Toronto Symphony Orchestra, Sarah Jeffrey | C Major | 1 | 8B | 138 BPM | ||
Götterdämmerung - Concert version / Dritter Aufzug: Finale | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | D♭ Major | 3 | 3B | 136 BPM | ||
Symphonic Dances, Op. 45: II. Andante con moto (Tempo di valse) | Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel | C Minor | 0 | 5A | 83 BPM | ||
Nocturnes, L. 91: 2. Fêtes | Claude Debussy, Berliner Philharmoniker, Claudio Abbado | A Major | 2 | 11B | 79 BPM | ||
Concerto for Orchestra, Sz. 116: II. Giuoco della coppie (Allegretto scherzando) | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | G Major | 1 | 9B | 124 BPM | ||
Also sprach Zarathustra, Op. 30, TrV 176: Das Tanzlied - Das Nachtlied | Richard Strauss, Michel Schwalbé, Berliner Philharmoniker, Herbert von Karajan | C Major | 2 | 8B | 100 BPM | ||
Music for Strings, Percussion and Celesta, BB 114: III. Adagio | Béla Bartók, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | D Major | 1 | 10B | 73 BPM |
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