Kelli O'Hara, Caroline Mc Mahon, Brooke Sunny Moriber, Chad Kimball made "Ferret Song" available on October 7, 2003. The duration of Ferret Song is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. Ferret Song's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Various Artists's "My Life With Albertine (Original off-Broadway Cast Recording)" album is number 4 out of 19. On top of that, United States appears to be the country where this track was created. Based on our statistics, Ferret Song's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Ferret Song by Kelli O'Hara, Caroline Mc Mahon, Brooke Sunny Moriber, Chad Kimball to be Allegro (fast, quick, and bright) because the track has a tempo of 124 BPM, a half-time of 62BPM, and a double-time of 248 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lehár: Giuditta: "In einem Meer von Liebe" (Giuditta, Chor) | Franz Lehár, Lucia Popp, Academy of St. Martin in the Fields, Sir Neville Marriner, Ambrosian Opera Chorus | E Major | 3 | 12B | 118 BPM | ||
Ikh Vil Es Hern Nokh Amol (I Want to Hear it Again) | Abraham Ellstein, Amy Goldstein, Simon Spiro, Vienna Chamber Orchestra, Elli Jaffe | C Minor | 2 | 5A | 82 BPM | ||
6 Romances, Op. 8: No. 5, The Dream | Sergei Rachmaninoff, Hein Jung, Grigorios Zamparas | G Major | 0 | 9B | 79 BPM | ||
Con amores, la mi madre | Fernando Obradors, Ruth Ann Swenson | F Minor | 0 | 4A | 138 BPM | ||
What a Curse for a Woman Is a Timid Man | Gian Carlo Menotti, Dawn Upshaw, David Zinman, Orchestra of St. Luke's | F Major | 1 | 7B | 89 BPM | ||
When I have sung my songs | Ernest Charles, Roberta Alexander, Brian Masuda | F Major | 1 | 7B | 102 BPM | ||
Schumann: Liederkreis, Op. 39: No. 1, In der Fremde | Robert Schumann, Elisabeth Leonskaja, Brigitte Fassbaender | A Minor | 0 | 8A | 74 BPM | ||
The Armed Man (Ensemble Version): IX. Torches | Karl Jenkins, Hertfordshire Chorus, David Temple, London Orchestra da Camera | G Major | 2 | 9B | 127 BPM | ||
The Pirates of Penzance: Oh! Is There Not One Maiden Breast | Marilyn Hill Smith, Philip Creasy | D♭ Major | 0 | 3B | 77 BPM | ||
Carmina Burana, Pt. 1: No. 3, Veris leta facies | Carl Orff, Atlanta Symphony Orchestra, Robert Shaw | D Minor | 1 | 7A | 138 BPM |
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