- BPM
- 138
- Key
- D Minor
- Camelot
- 7A
Carmina Burana, Pt. 1: No. 3, Veris leta facies - Carl Orff, Atlanta Symphony Orchestra, Robert Shaw Information
- Acousticness
- 90%
- Danceability
- 30%
- Energy
- 10%
- Instrumentalness
- 3%
- Liveness
- 17%
- Loudness
- 64%
- Speechiness
- 3%
- Valence
- 32%
- Popularity
- 3%
- Loudness
- -21.691 dB
Summary
Carl Orff, Atlanta Symphony Orchestra, Robert Shaw's 'Carmina Burana, Pt. 1: No. 3, Veris leta facies' came out on February 27, 2001. With this song being around four minutes long, at 4:06, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 25 in the song's album "Orff: Carmina Burana". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United States. Based on our statistics, Carmina Burana, Pt. 1: No. 3, Veris leta facies's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Carmina Burana, Pt. 1: No. 3, Veris leta facies BPM
With Carmina Burana, Pt. 1: No. 3, Veris leta facies by Carl Orff, Atlanta Symphony Orchestra, Robert Shaw having a BPM of 138 with a half-time of 69 BPM and a double-time of 276 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
Carmina Burana, Pt. 1: No. 3, Veris leta facies Key
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Schubert: Die Forelle, Op. 32, D. 550 | Franz Schubert, Ian Bostridge, Julius Drake | D♭ Major | 0 | 3B | 170 BPM | |
 | Grieg: Suite No. 2 from Peer Gynt, Op. 55: II. Arabian Dance | Edvard Grieg, Sakari Oramo, City Of Birmingham Symphony Orchestra | F Major | 2 | 7B | 129 BPM | |
 | The Firebird: Scene 1: The Firebird's Lullaby | Igor Stravinsky, City Of Birmingham Symphony Orchestra, Andris Nelsons | B Major | 0 | 1B | 117 BPM | |
 | Le roi s'amuse: Pavane | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | B♭ Major | 0 | 6B | 91 BPM | |
 | Tannhauser, Act II: Einzug der Gaste auf der Warburg | Richard Wagner, Budapest Symphony Orchestra, György Lehel | B Major | 1 | 1B | 130 BPM | |
 | Carmina Burana / Uf dem Anger: "Chramer, gip die varwe mir" - Live from the Forbidden City | Carl Orff, Wiener Singakademie, Heinz Ferlesch, Shanghai Symphony Orchestra, Long Yu | G Major | 1 | 9B | 78 BPM | |
 | Carmina Burana: Veris leta facies | Carl Orff, Cleveland Orchestra, Michael Tilson Thomas | D Major | 0 | 10B | 77 BPM | |
 | La Nuit Ballet: Ouverture | Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel | F♯ Minor | 3 | 11A | 61 BPM | |
 | Gayane Suite No. 2: VI. Sabre Dance | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | E♭ Major | 8 | 5B | 91 BPM | |
 | Lakmé / Act 1: "Viens, Mallika, ... Dôme épais" (Flower Duet) | Léo Delibes, Dame Joan Sutherland, Jane Berbié, Orchestre National de l'Opéra de Monte-Carlo, Richard Bonynge | B Major | 1 | 1B | 84 BPM |
- ISRC
- USTE10328056
- Label
- L-M Records/RCA Records
Section: 0.6977694034576416
End: 0.7028698921203613