Leonardo Ortensio Salvatore di Leo, Tafelmusik Baroque Orchestra, Anner Bylsma made "Cello Concerto No.5 in F Minor, L. 40: IV. Allegro" available on February 20, 2023. The duration of Cello Concerto No.5 in F Minor, L. 40: IV. Allegro is about 3 minutes long, at 3:02. Based on our data, "Cello Concerto No.5 in F Minor, L. 40: IV. Allegro" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Leonardo Ortensio Salvatore di Leo, Tafelmusik Baroque Orchestra, Anner Bylsma's "Leonardo Leo (1694-1744) Six Cello Concertos" album is number 9 out of 25. On top of that, Canada appears to be the country where this track was created. Cello Concerto No.5 in F Minor, L. 40: IV. Allegro is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Cello Concerto No.5 in F Minor, L. 40: IV. Allegro by Leonardo Ortensio Salvatore di Leo, Tafelmusik Baroque Orchestra, Anner Bylsma to be Lento (slowly) because the track has a tempo of 59 BPM, a half-time of 30BPM, and a double-time of 118 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerts royaux, Concerto No. 2 in D Major: IV. Air contrefugué | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | E Major | 1 | 12B | 82 BPM | ||
Sinfonia No. 7 in G Minor, RosS 533.7: IV. Allegro | Alessandro Scarlatti, Dorothee Oberlinger, Ensemble 1700 | D♭ Minor | 3 | 12A | 120 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 3: Ballo: I. Grazioso | Christoph Willibald Gluck, Stefan Plewniak, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM | ||
Concierto Four violines RV 580 | Ivano Zanenghi | B♭ Minor | 4 | 3A | 122 BPM | ||
Sonata in D Major for cello and basso: I. Andante | Franz Benda, Octavie Dostaler-Lalonde, Artem Belogurov, Victor Garcia Garcia | D♭ Major | 0 | 3B | 96 BPM | ||
6 Concerti grossi, Op. 3, No. 3 in E Minor, H. 75: III. Adagio | Francesco Geminiani, Concerto Italiano, Rinaldo Alessandrini | A♭ Minor | 1 | 1A | 60 BPM | ||
Trio Sonata in C Major, BuxWV 256: IV. Allegro | Dietrich Buxtehude, Ensemble Mélero | E♭ Minor | 3 | 2A | 106 BPM | ||
Sonata VII in Re Magg.: I. Vivace | Michele Mascitti, Matteo Cicchitti, Musica Elegentia | D♭ Major | 4 | 3B | 120 BPM | ||
Cantabunt Mihi | Radoslaw Pallarz, Franz Bach, Emily Korner, Bernhard Lörcher, Jakob Lustig, Tabea Schmidt, Philippe Tondre, Felix von Tippelskirch | C Minor | 0 | 5A | 129 BPM | ||
Symphony in G Major, Eisen G17: II. Andante | Leopold Mozart, New Zealand Chamber Orchestra, Donald Armstrong | B♭ Major | 1 | 6B | 173 BPM |
Section: 0.763852596282959
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