Wolfgang Amadeus Mozart, William Shimell/Carol Vaness/Susanne Mentzer/Wiener Philharmoniker/Riccardo Muti's 'Mozart: Don Giovanni, K. 527, Act 1 Scene 10: Recitativo, "Fermati, scellerato" (Donna Elvira, Zerlina, Don Giovanni)' came out on October 31, 1988. With Mozart: Don Giovanni, K. 527, Act 1 Scene 10: Recitativo, "Fermati, scellerato" (Donna Elvira, Zerlina, Don Giovanni) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Riccardo Muti's "Mozart: The Da Ponte Operas" album is number 16 out of 214. On top of that, United Kingdom appears to be the country where this track was created. Mozart: Don Giovanni, K. 527, Act 1 Scene 10: Recitativo, "Fermati, scellerato" (Donna Elvira, Zerlina, Don Giovanni) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Mozart: Don Giovanni, K. 527, Act 1 Scene 10: Recitativo, "Fermati, scellerato" (Donna Elvira, Zerlina, Don Giovanni) by Wolfgang Amadeus Mozart, William Shimell/Carol Vaness/Susanne Mentzer/Wiener Philharmoniker/Riccardo Muti to be Adagio (slowly with great expression) because the track has a tempo of 74 BPM, a half-time of 37BPM, and a double-time of 148 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
The music key of this track is D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 1: Abscheulicher! Wo eilst du hin? | Ludwig van Beethoven, Nina Stemme, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado | E Major | 1 | 12B | 165 BPM | ||
Die Fledermaus / Act 2: "Dieser Anstand, so manierlich" | Johann Strauss II, Julia Varady, Hermann Prey, Bavarian State Orchestra, Carlos Kleiber | C Major | 2 | 8B | 173 BPM | ||
Mass in C Minor, K. 427 "Grosse Messe" (Rev. and Reconstr. A. Schmitt & E. Gardiner): 2h. Gloria: Cum Sancto Spiritu | Wolfgang Amadeus Mozart, Sylvia McNair, Diana Montague, Anthony Rolfe Johnson, Cornelius Hauptmann, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | C Major | 2 | 8B | 73 BPM | ||
Eugene Onegin, Op.24, TH.5 / Act 3: "Lyubvi vsye vozrasti pokorni" | Nicolai Ghiaurov, London Symphony Orchestra, Sir Edward Downes | F♯ Major | 1 | 2B | 132 BPM | ||
Aria ¨La Vendetta, Oh La Vendetta¨ | Orquesta Sinfónica Y Coro De La RAI De Roma | D Major | 1 | 10B | 96 BPM | ||
Requiem In D Minor, K. 626: Kyrie Eleison | Slovak Philharmonic, Jozef Kundlák, Slovak Philharmonic Chorus, Jaroslava Horska, Vladimir Ruso, Stefan Klimo, Peter Mikulas, Magdaléna Hajóssyová, Wolfgang Amadeus Mozart | F Major | 2 | 7B | 82 BPM | ||
Nabucco / Act 1: Lo vedeste? | Giuseppe Verdi, Lucia Popp, Yevgeny Nesterenko, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli, Chor der Deutschen Oper Berlin | E♭ Major | 4 | 5B | 171 BPM | ||
Norma - Critical Edition by Maurizio Biondi and Riccardo Minasi / Act 1 Scene 1: "Va, crudele, al Dio spietato" | Vincenzo Bellini, John Osborn, Sumi Jo, Orchestra La Scintilla, Giovanni Antonini | A♭ Major | 3 | 4B | 134 BPM | ||
Il Barbiere di Siviglia: Orsù, signor Don Bartolo - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly | B Major | 3 | 1B | 86 BPM | ||
Così fan tutte, K.588 / Act 1: "Oh, la saria da ridere!" | Wolfgang Amadeus Mozart, Alessandro Corbelli, Mojca Erdmann, Chamber Orchestra of Europe, Yannick Nézet-Séguin | E Minor | 1 | 9A | 85 BPM |
Section: 0.6873984336853027
End: 0.6910209655761719