Piano Sonata No. 2 in F-Sharp Minor, Op. 7: I. Allegro agitato. Alla toccata
Yuri Shaporin, Kirill Kozlovski
Shaporin: Complete Piano Music
9:36 May 6, 2022
BPM
78
Key
B♭ Minor
Camelot
3A

Embed

Share Link

Piano Sonata No. 2 in F-Sharp Minor, Op. 7: I. Allegro agitato. Alla toccata - Yuri Shaporin, Kirill Kozlovski Information

Acousticness
99%
Danceability
27%
Energy
6%
Instrumentalness
90%
Liveness
7%
Loudness
64%
Speechiness
5%
Valence
4%
Popularity
Loudness
-21.884 dB

Summary

"Piano Sonata No. 2 in F-Sharp Minor, Op. 7: I. Allegro agitato. Alla toccata" by Yuri Shaporin, Kirill Kozlovski was released on May 6, 2022. Since Piano Sonata No. 2 in F-Sharp Minor, Op. 7: I. Allegro agitato. Alla toccata is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 16 in the song's album "Shaporin: Complete Piano Music". In this album, this song's track order is #14. Furthermore, we believe that the track originated from United Kingdom. Piano Sonata No. 2 in F-Sharp Minor, Op. 7: I. Allegro agitato. Alla toccata is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Piano Sonata No. 2 in F-Sharp Minor, Op. 7: I. Allegro agitato. Alla toccata BPM

With Piano Sonata No. 2 in F-Sharp Minor, Op. 7: I. Allegro agitato. Alla toccata by Yuri Shaporin, Kirill Kozlovski having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.

Piano Sonata No. 2 in F-Sharp Minor, Op. 7: I. Allegro agitato. Alla toccata Key

The music key of this track is B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Ravel: Alborada del Gracioso, M. 43 No. 4 by Maurice Ravel, Daniel Barenboim, Chicago Symphony OrchestraRavel: Alborada del Gracioso, M. 43 No. 4Maurice Ravel, Daniel Barenboim, Chicago Symphony OrchestraD Major010B123 BPM
Marche slave, Op. 31, TH 45 by Pyotr Ilyich Tchaikovsky, London Symphony Orchestra, Leopold StokowskiMarche slave, Op. 31, TH 45Pyotr Ilyich Tchaikovsky, London Symphony Orchestra, Leopold StokowskiB♭ Minor53A106 BPM
The Snowstorm: III. Spring and autumn by Georgy Sviridov, Vladimir Fedoseyev, State Academic Large Symphony Orchestra, State academic large symphony orchestraThe Snowstorm: III. Spring and autumnGeorgy Sviridov, Vladimir Fedoseyev, State Academic Large Symphony Orchestra, State academic large symphony orchestraE Minor19A61 BPM
Die tote Stadt (The Dead City), Op. 12: Act II Scene 3: Mein Sehnen, mein Wahnen (Fritz, Women's Choir) by Erich Wolfgang Korngold, Klaus Florian Vogt, Tatiana Pavlovskaya, Michael Nagy, Hedwig Fassbender, Anna Ryberg, Jenny Carlstedt, Julian Prégardien, Hans-Jurgen Lazar, Frankfurt Opera Chorus, Frankfurt Opera Children's Chorus, Frankfurt Opera and Museum Orchestra, Sebastian WeigleDie tote Stadt (The Dead City), Op. 12: Act II Scene 3: Mein Sehnen, mein Wahnen (Fritz, Women's Choir)Erich Wolfgang Korngold, Klaus Florian Vogt, Tatiana Pavlovskaya, Michael Nagy, Hedwig Fassbender, Anna Ryberg, Jenny Carlstedt, Julian Prégardien, Hans-Jurgen Lazar, Frankfurt Opera Chorus, Frankfurt Opera Children's Chorus, Frankfurt Opera and Museum Orchestra, Sebastian WeigleD♭ Major13B169 BPM
Ya Vstretil Vas... by Dmitri HvorostovskyYa Vstretil Vas...Dmitri HvorostovskyC Minor25A179 BPM
Preliudai (Preludes): Preludias, Op. 12, No. 1: Lento by Mikalojus Konstantinas Čiurlionis, Slovak Philharmonic, Juozas DomarkasPreliudai (Preludes): Preludias, Op. 12, No. 1: LentoMikalojus Konstantinas Čiurlionis, Slovak Philharmonic, Juozas DomarkasE Minor09A82 BPM
Suor Angelica: La grazie è dicesa dal cielo by Giacomo Puccini, Dame Joan Sutherland, The London Opera Chorus, National Philharmonic Orchestra, Richard BonyngeSuor Angelica: La grazie è dicesa dal cieloGiacomo Puccini, Dame Joan Sutherland, The London Opera Chorus, National Philharmonic Orchestra, Richard BonyngeF Major17B76 BPM
Mahler: Symphony No. 1 in D Major: II. Kräftig bewegt by Gustav Mahler, Royal Concertgebouw Orchestra, Daniele GattiMahler: Symphony No. 1 in D Major: II. Kräftig bewegtGustav Mahler, Royal Concertgebouw Orchestra, Daniele GattiD Major110B134 BPM
Cuadros de una exposición para orquesta: No. 10, La Gran Puerta de Kiev by Orquesta Filarmónica de Slavonia, Alberto LizzioCuadros de una exposición para orquesta: No. 10, La Gran Puerta de KievOrquesta Filarmónica de Slavonia, Alberto LizzioE♭ Major15B97 BPM
Il barbiere di Siviglia: Overture by Gioachino Rossini, David Parry, London Philharmonic OrchestraIl barbiere di Siviglia: OvertureGioachino Rossini, David Parry, London Philharmonic OrchestraE Major312B95 BPM
ISRC
GBJZY2262114
Label
L-M Records/RCA Records

Section: 0.7368743419647217

End: 0.740241527557373