"Piano Sonata No. 2 in F-Sharp Minor, Op. 7: I. Allegro agitato. Alla toccata" by Yuri Shaporin, Kirill Kozlovski was released on May 6, 2022. Since Piano Sonata No. 2 in F-Sharp Minor, Op. 7: I. Allegro agitato. Alla toccata is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 16 in the song's album "Shaporin: Complete Piano Music". In this album, this song's track order is #14. Furthermore, we believe that the track originated from United Kingdom. Piano Sonata No. 2 in F-Sharp Minor, Op. 7: I. Allegro agitato. Alla toccata is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Piano Sonata No. 2 in F-Sharp Minor, Op. 7: I. Allegro agitato. Alla toccata by Yuri Shaporin, Kirill Kozlovski having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
The music key of this track is B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Shaporin: Romance: "I see you" (Arr. Kubatsky) | Yuri Shaporin, Mstislav Rostropovich, Vladimir Yampolsky | E♭ Major | 1 | 5B | 95 BPM | ||
Grande messe des morts, H 75: IV. Rex tremendae | Hector Berlioz, London Symphony Orchestra, London Symphony Chorus, Sir Colin Davis, London Philharmonic Choir | E Major | 1 | 12B | 76 BPM | ||
Symphony No. 2 in C minor - "Resurrection": 4. "O Röschen rot! Der Mensch liegt in grösster Not!" (Sehr feierlich aber schlicht) Text from Des Knaben Wunderhorn: "Urlicht" | Gustav Mahler, Mira Zakai, Chicago Symphony Orchestra, Sir Georg Solti | F♯ Minor | 0 | 11A | 73 BPM | ||
The Stars And Stripes Forever | Slovak Radio Symphony Orchestra, John Philip Sousa | D Major | 4 | 10B | 129 BPM | ||
Vaughan Williams: English Folk Song Suite: I. March. Seventeen Come Sunday | Ralph Vaughan Williams, London Symphony Orchestra, Sir Adrian Boult | A♭ Major | 2 | 4B | 119 BPM | ||
Carmina Burana: XXII. Tempus est iocundum | Carl Orff, London Symphony Chorus, London Symphony Orchestra, Richard Hickox | D Major | 3 | 10B | 127 BPM | ||
In the Lonely Heart | Yuri Shaporin, Cyprien Katsaris | E♭ Minor | 1 | 2A | 64 BPM | ||
Il barbiere di Siviglia / Act 1: No.2 Cavatina: "Largo al factotum" | Gioachino Rossini, Dmitri Hvorostovsky, Philharmonia Orchestra, Ion Marin | C Major | 3 | 8B | 148 BPM | ||
Toccata & Fugue in D Minor, BWV 565 | Johann Sebastian Bach, Boston Symphony Orchestra, Seiji Ozawa | D Minor | 2 | 7A | 93 BPM | ||
Die Entfuhrung Aus Dem Serail (Abduction From The Seraglio), K. 384: Final Chorus | Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Wolfgang Amadeus Mozart, C. F. Bretzner | D Minor | 4 | 7A | 72 BPM |
Section: 0.6610021591186523
End: 0.6643741130828857