Piano Sonata No. 2 in F-Sharp Minor, Op. 7: I. Allegro agitato. Alla toccata
Yuri Shaporin, Kirill Kozlovski
Shaporin: Complete Piano Music
9:36 May 6, 2022
BPM
78
Key
B♭ Minor
Camelot
3A

Embed

Share Link

Piano Sonata No. 2 in F-Sharp Minor, Op. 7: I. Allegro agitato. Alla toccata - Yuri Shaporin, Kirill Kozlovski Information

Acousticness
99%
Danceability
27%
Energy
6%
Instrumentalness
90%
Liveness
7%
Loudness
64%
Speechiness
5%
Valence
4%
Popularity
Loudness
-21.884 dB

Summary

"Piano Sonata No. 2 in F-Sharp Minor, Op. 7: I. Allegro agitato. Alla toccata" by Yuri Shaporin, Kirill Kozlovski was released on May 6, 2022. Since Piano Sonata No. 2 in F-Sharp Minor, Op. 7: I. Allegro agitato. Alla toccata is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 16 in the song's album "Shaporin: Complete Piano Music". In this album, this song's track order is #14. Furthermore, we believe that the track originated from United Kingdom. Piano Sonata No. 2 in F-Sharp Minor, Op. 7: I. Allegro agitato. Alla toccata is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Piano Sonata No. 2 in F-Sharp Minor, Op. 7: I. Allegro agitato. Alla toccata BPM

With Piano Sonata No. 2 in F-Sharp Minor, Op. 7: I. Allegro agitato. Alla toccata by Yuri Shaporin, Kirill Kozlovski having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.

Piano Sonata No. 2 in F-Sharp Minor, Op. 7: I. Allegro agitato. Alla toccata Key

The music key of this track is B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Shaporin: Romance: Shaporin: Romance: "I see you" (Arr. Kubatsky)Yuri Shaporin, Mstislav Rostropovich, Vladimir YampolskyE♭ Major15B95 BPM
Grande messe des morts, H 75: IV. Rex tremendae by Hector Berlioz, London Symphony Orchestra, London Symphony Chorus, Sir Colin Davis, London Philharmonic ChoirGrande messe des morts, H 75: IV. Rex tremendaeHector Berlioz, London Symphony Orchestra, London Symphony Chorus, Sir Colin Davis, London Philharmonic ChoirE Major112B76 BPM
Symphony No. 2 in C minor - Symphony No. 2 in C minor - "Resurrection": 4. "O Röschen rot! Der Mensch liegt in grösster Not!" (Sehr feierlich aber schlicht) Text from Des Knaben Wunderhorn: "Urlicht"Gustav Mahler, Mira Zakai, Chicago Symphony Orchestra, Sir Georg SoltiF♯ Minor011A73 BPM
The Stars And Stripes Forever by Slovak Radio Symphony Orchestra, John Philip SousaThe Stars And Stripes ForeverSlovak Radio Symphony Orchestra, John Philip SousaD Major410B129 BPM
Vaughan Williams: English Folk Song Suite: I. March. Seventeen Come Sunday by Ralph Vaughan Williams, London Symphony Orchestra, Sir Adrian BoultVaughan Williams: English Folk Song Suite: I. March. Seventeen Come SundayRalph Vaughan Williams, London Symphony Orchestra, Sir Adrian BoultA♭ Major24B119 BPM
Carmina Burana: XXII. Tempus est iocundum by Carl Orff, London Symphony Chorus, London Symphony Orchestra, Richard HickoxCarmina Burana: XXII. Tempus est iocundumCarl Orff, London Symphony Chorus, London Symphony Orchestra, Richard HickoxD Major310B127 BPM
In the Lonely Heart by Yuri Shaporin, Cyprien KatsarisIn the Lonely HeartYuri Shaporin, Cyprien KatsarisE♭ Minor12A64 BPM
Il barbiere di Siviglia / Act 1: No.2 Cavatina: Il barbiere di Siviglia / Act 1: No.2 Cavatina: "Largo al factotum"Gioachino Rossini, Dmitri Hvorostovsky, Philharmonia Orchestra, Ion MarinC Major38B148 BPM
Toccata & Fugue in D Minor, BWV 565 by Johann Sebastian Bach, Boston Symphony Orchestra, Seiji OzawaToccata & Fugue in D Minor, BWV 565Johann Sebastian Bach, Boston Symphony Orchestra, Seiji OzawaD Minor27A93 BPM
Die Entfuhrung Aus Dem Serail (Abduction From The Seraglio), K. 384: Final Chorus by Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Wolfgang Amadeus Mozart, C. F. BretznerDie Entfuhrung Aus Dem Serail (Abduction From The Seraglio), K. 384: Final ChorusSlovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Wolfgang Amadeus Mozart, C. F. BretznerD Minor47A72 BPM
ISRC
GBJZY2262114
Label
L-M Records/RCA Records

Section: 0.6610021591186523

End: 0.6643741130828857