In dulci jubilo, BWV 751 Anh.III 172 (von Johann Michael Bach)
Johann Michael Bach, Wolfgang Rübsam
Focus with Bach
1:29 November 15, 2021
BPM
63
Key
G Major
Camelot
9B

Embed

Share Link

In dulci jubilo, BWV 751 Anh.III 172 (von Johann Michael Bach) - Johann Michael Bach, Wolfgang Rübsam Information

Acousticness
38%
Danceability
26%
Energy
4%
Instrumentalness
91%
Liveness
10%
Loudness
56%
Speechiness
4%
Valence
13%
Popularity
Loudness
-26.284 dB

Summary

"In dulci jubilo, BWV 751 Anh.III 172 (von Johann Michael Bach)" by Johann Michael Bach, Wolfgang Rübsam was released on November 15, 2021. With In dulci jubilo, BWV 751 Anh.III 172 (von Johann Michael Bach) being less than two minutes long, at 1:29, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 186 out of 435 in Focus with Bach by Johann Sebastian Bach, Various Artists. In dulci jubilo, BWV 751 Anh.III 172 (von Johann Michael Bach) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

In dulci jubilo, BWV 751 Anh.III 172 (von Johann Michael Bach) BPM

The tempo marking of In dulci jubilo, BWV 751 Anh.III 172 (von Johann Michael Bach) by Johann Michael Bach, Wolfgang Rübsam is Larghetto (rather broadly), since this song has a tempo of 63 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

In dulci jubilo, BWV 751 Anh.III 172 (von Johann Michael Bach) Key

This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Concerto for 3 Trumpets, Timpani, 2 Oboes, bassoon and Violin in D Major, FWV L:D3: I. Allegro by Johann Friedrich Fasch, Il GardellinoConcerto for 3 Trumpets, Timpani, 2 Oboes, bassoon and Violin in D Major, FWV L:D3: I. AllegroJohann Friedrich Fasch, Il GardellinoA♭ Major24B99 BPM
Mass in C Major, Mass in C Major, "Messe breve No. 7 aux chapelles": KyrieCharles Gounod, Patrick Herget, Axel Werntges, Hartmut Roth, Philipp Tetzlaff, Martin Schmeding, Jugendkantorei Hosel, Toralf HildebrandtD♭ Major23B97 BPM
Stabat Mater pour dix voix et basse continue: IV. Eja mater, fons amoris by Domenico Scarlatti, Vox Luminis, Lionel MeunierStabat Mater pour dix voix et basse continue: IV. Eja mater, fons amorisDomenico Scarlatti, Vox Luminis, Lionel MeunierF♯ Major12B169 BPM
Requiem In C Major: XIV. Offertorium, Domine Jes by Johann Adolf Hasse, Il Fondamento, Paul Dombrecht, Susanna Moncayo Von Hase, Ian Honeyman, Dirk Snellings, Vincent GregoireRequiem In C Major: XIV. Offertorium, Domine JesJohann Adolf Hasse, Il Fondamento, Paul Dombrecht, Susanna Moncayo Von Hase, Ian Honeyman, Dirk Snellings, Vincent GregoireA Major111B0 BPM
Requeim in C Minor, ZWV. 48: Kyrie - II by Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Monika Frimmer, Paul DombrechtRequeim in C Minor, ZWV. 48: Kyrie - IIJan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Monika Frimmer, Paul DombrechtD♭ Minor212A86 BPM
Missa pro Quadragesima, MH 551: Credo: Et resurrexit by Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy VashegyiMissa pro Quadragesima, MH 551: Credo: Et resurrexitMichael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy VashegyiA♭ Major14B129 BPM
Missa pro Defunctis in E-Flat Major, HocJ A1.3: II. Kyrie, 1. Kyrie eleison by Niccolò Jommelli, Il Gardellino, Peter Van HeyghenMissa pro Defunctis in E-Flat Major, HocJ A1.3: II. Kyrie, 1. Kyrie eleisonNiccolò Jommelli, Il Gardellino, Peter Van HeyghenB Minor310A110 BPM
Christ lag in Todesbanden, BWV 4: VIII. Verse 7. Wir essen und leben wohl by Johann Sebastian Bach, Thomanerchor Leipzig, Gewandhausorchester, New Bach Collegium Musicum Leipzig, Hans-Joachim Rotzsch, Ludwig Güttler, Gerhard Essbach, Karl Semsch, Rolf Bachmann, Walter Heinz Bernstein, Burkhard Schmidt, Achim Beyer, Gerd SchulzeChrist lag in Todesbanden, BWV 4: VIII. Verse 7. Wir essen und leben wohlJohann Sebastian Bach, Thomanerchor Leipzig, Gewandhausorchester, New Bach Collegium Musicum Leipzig, Hans-Joachim Rotzsch, Ludwig Güttler, Gerhard Essbach, Karl Semsch, Rolf Bachmann, Walter Heinz Bernstein, Burkhard Schmidt, Achim Beyer, Gerd SchulzeF Minor44A170 BPM
Trio Sonata in A Minor, BuxWV 272 by Dietrich Buxtehude, Ensemble Masques, Sophie Gent, Mélissande Corriveau, Olivier FortinTrio Sonata in A Minor, BuxWV 272Dietrich Buxtehude, Ensemble Masques, Sophie Gent, Mélissande Corriveau, Olivier FortinA Minor28A171 BPM
Missa pro Quadragesima, MH 551: Kyrie by Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy VashegyiMissa pro Quadragesima, MH 551: KyrieMichael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy VashegyiC Major28B138 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.8631491661071777

End: 0.8678438663482666