Missa pro Defunctis in E-Flat Major, HocJ A1.3: II. Kyrie, 1. Kyrie eleison
Niccolò Jommelli, Il Gardellino, Peter Van Heyghen
Jommelli: Missa pro Defunctis, Libera me & Miserere
0:55 April 3, 2020
BPM
110
Key
B Minor
Camelot
10A

Embed

Share Link

Missa pro Defunctis in E-Flat Major, HocJ A1.3: II. Kyrie, 1. Kyrie eleison - Niccolò Jommelli, Il Gardellino, Peter Van Heyghen Information

Acousticness
96%
Danceability
30%
Energy
28%
Instrumentalness
1%
Liveness
22%
Loudness
77%
Speechiness
4%
Valence
61%
Popularity
Loudness
-13.763 dB

Summary

Niccolò Jommelli, Il Gardellino, Peter Van Heyghen made "Missa pro Defunctis in E-Flat Major, HocJ A1.3: II. Kyrie, 1. Kyrie eleison" available on April 3, 2020. With Missa pro Defunctis in E-Flat Major, HocJ A1.3: II. Kyrie, 1. Kyrie eleison being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Niccolò Jommelli, Il Gardellino, Peter Van Heyghen's "Jommelli: Missa pro Defunctis, Libera me & Miserere" album is number 2 out of 50. In terms of popularity, Missa pro Defunctis in E-Flat Major, HocJ A1.3: II. Kyrie, 1. Kyrie eleison is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.

Missa pro Defunctis in E-Flat Major, HocJ A1.3: II. Kyrie, 1. Kyrie eleison BPM

We consider the tempo marking of Missa pro Defunctis in E-Flat Major, HocJ A1.3: II. Kyrie, 1. Kyrie eleison by Niccolò Jommelli, Il Gardellino, Peter Van Heyghen to be Moderato (at a moderate speed) because the track has a tempo of 110 BPM, a half-time of 55BPM, and a double-time of 220 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.

Missa pro Defunctis in E-Flat Major, HocJ A1.3: II. Kyrie, 1. Kyrie eleison Key

This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Te deum, LWV 55: II. Pleni sunt coeli et terra by Jean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de VersaillesTe deum, LWV 55: II. Pleni sunt coeli et terraJean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de VersaillesB♭ Major66B94 BPM
Mass in D Minor: Kyrie: Kyrie I by Johann Adolf Hasse, Mária Zádori, Lena Susanne Norin, Hans-Jörg Mammel, Klaus Mertens, Rheinische Kantorei, Kleine Konzert, Das, Hermann MaxMass in D Minor: Kyrie: Kyrie IJohann Adolf Hasse, Mária Zádori, Lena Susanne Norin, Hans-Jörg Mammel, Klaus Mertens, Rheinische Kantorei, Kleine Konzert, Das, Hermann MaxD Major210B105 BPM
Missa Charitatis, ZWV 10: Gloria in excelsis Deo by Jan Dismas Zelenka, Ensemble Inégal, Adam ViktoraMissa Charitatis, ZWV 10: Gloria in excelsis DeoJan Dismas Zelenka, Ensemble Inégal, Adam ViktoraA♭ Major34B101 BPM
Te deum, LWV 55: VI. Tu, ad liberandum suscepturus hominem by Jean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de VersaillesTe deum, LWV 55: VI. Tu, ad liberandum suscepturus hominemJean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de VersaillesB♭ Major66B94 BPM
Dixit Doming in G: I. Dixit by Niccolò Jommelli, Haydn Baroque Chamber Orchestra, Tiziano Morelli Gidoni, Baltimore Baroque Choir, Maria Elena BorraciniDixit Doming in G: I. DixitNiccolò Jommelli, Haydn Baroque Chamber Orchestra, Tiziano Morelli Gidoni, Baltimore Baroque Choir, Maria Elena BorraciniD♭ Major33B151 BPM
Requiem in D Minor, K. 626 (Paris 1804 Version): I. Introït by Niccolò Jommelli, Chantal Santon Jeffery, Éléonore Pancrazi, Chœur De Chambre De Namur, Le Concert de la Loge, Julien ChauvinRequiem in D Minor, K. 626 (Paris 1804 Version): I. IntroïtNiccolò Jommelli, Chantal Santon Jeffery, Éléonore Pancrazi, Chœur De Chambre De Namur, Le Concert de la Loge, Julien ChauvinE Minor09A88 BPM
Salve Regina pour soprano, contre-ténor et basse continue: III. Eja ergo (Moderato) by Domenico Scarlatti, Vox Luminis, Lionel MeunierSalve Regina pour soprano, contre-ténor et basse continue: III. Eja ergo (Moderato)Domenico Scarlatti, Vox Luminis, Lionel MeunierE♭ Minor02A74 BPM
Gott Hilf Mir, BuxWV 34: Gott, hilf mir by Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Matthias ViewegGott Hilf Mir, BuxWV 34: Gott, hilf mirDietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Matthias ViewegC Minor25A90 BPM
Temistocle: II. Andante by Niccolò Jommelli, Orchestra da Camera di Napoli, Enzo AmatoTemistocle: II. AndanteNiccolò Jommelli, Orchestra da Camera di Napoli, Enzo AmatoD Major110B84 BPM
Gott Hilf Mir, BuxWV 34: Concerto Fürchte dich nicht by Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Maria Keohane, Hanna Bayodi, Carlos Mena, Jeffrey Thompson, Matthias ViewegGott Hilf Mir, BuxWV 34: Concerto Fürchte dich nichtDietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Maria Keohane, Hanna Bayodi, Carlos Mena, Jeffrey Thompson, Matthias ViewegC Minor25A90 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.7797837257385254

End: 0.8018763065338135