Grieg: Old Norwegian Romance with Variations, Op. 51: XIX. Andante molto tranquillo (Orchestral Version) - Edvard Grieg, Paavo Berglund, Bournemouth Symphony Orchestra Information

Acousticness: 100%
Danceability: 38%
Energy: 12%
Instrumentalness: 89%
Liveness: 10%
Loudness: 65%
Speechiness: 5%
Valence: 3%
Popularity: 0%
Loudness: -21.169 dB

Summary

"Grieg: Old Norwegian Romance with Variations, Op. 51: XIX. Andante molto tranquillo (Orchestral Version)" by Edvard Grieg, Paavo Berglund, Bournemouth Symphony Orchestra was released on November 25, 2005. With Grieg: Old Norwegian Romance with Variations, Op. 51: XIX. Andante molto tranquillo (Orchestral Version) being less than two minutes long, at 1:35, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Edvard Grieg, Sir John Barbirolli, Sir Thomas Beecham's "Grieg: Orchestral Works" album is number 27 out of 49. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Grieg: Old Norwegian Romance with Variations, Op. 51: XIX. Andante molto tranquillo (Orchestral Version) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Grieg: Old Norwegian Romance with Variations, Op. 51: XIX. Andante molto tranquillo (Orchestral Version) BPM

We consider the tempo marking of Grieg: Old Norwegian Romance with Variations, Op. 51: XIX. Andante molto tranquillo (Orchestral Version) by Edvard Grieg, Paavo Berglund, Bournemouth Symphony Orchestra to be Moderato (at a moderate speed) because the track has a tempo of 110 BPM, a half-time of 55BPM, and a double-time of 220 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.

Grieg: Old Norwegian Romance with Variations, Op. 51: XIX. Andante molto tranquillo (Orchestral Version) Key

E♭ Minor is the music key of this track. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
13 Preludes, Op. 32: No. 5 in G Major. Moderato	Sergei Rachmaninoff, Idil Biret	A♭ Minor	3	1A	111 BPM
Symphony No. 3 in C Minor: II. Andante ma non troppo	Florence Beatrice Price, Philadelphia Orchestra, Yannick Nézet-Séguin	A♭ Major	0	4B	88 BPM
3 Preludes and Fugues, Op. 16: No. 2. Prelude and Fugue in B-Flat Major	Clara Schumann, Jozef De Beenhouwer	B♭ Major	0	6B	100 BPM
Lyric Pieces, Book 1, Op. 12: I. Arietta	Edvard Grieg, Javier Perianes	B♭ Major	0	6B	72 BPM
3 Romances, Op. 22: No. 1, Andante molto (Arr. Knoth for Cello and Piano)	Clara Schumann, Sophie Kauer, Kunal Lahiry	D♭ Major	0	3B	68 BPM
Kinderszenen, Op. 15: No. 10 Fast zu ernst	Robert Schumann, Wilhelm Kempff	G Major	0	9B	69 BPM
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile	Max Bruch, Joshua Bell, Academy of St. Martin in the Fields	E♭ Major	2	5B	60 BPM
Le Carnaval des Animaux, R.125: 4. Tortues	Camille Saint-Saëns, Pascal Rogé, Cristina Ortiz, London Sinfonietta, Charles Dutoit	B♭ Major	0	6B	83 BPM
Lieder ohne Worte (Songs without Words), Book 2, Op. 30: No. 7 in E-Flat Major, Op. 30, No. 1	Felix Mendelssohn, Péter Nagy	E♭ Major	0	5B	68 BPM
Peer Gynt Suite No.1, Op.46: 3. Anitra's Dance	Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan	D Minor	0	7A	84 BPM

ISRC: GBAYD8100318
Label: L-M Records/RCA Records

Section: 0.7333557605743408

End: 0.7406067848205566