- BPM
- 77
- Key
- A Major
- Camelot
- 11B
Matthäus-Passion, BWV 244 / Zweiter Teil: No. 32 "Mir hat die Welt trüglich gericht" - Johann Sebastian Bach, English Baroque Soloists, John Eliot Gardiner, The Monteverdi Choir, The London Oratory Junior Choir Information
- Acousticness
- 99%
- Danceability
- 30%
- Energy
- 17%
- Instrumentalness
- 0%
- Liveness
- 40%
- Loudness
- 75%
- Speechiness
- 3%
- Valence
- 59%
- Popularity
- 11%
- Loudness
- -15.216 dB
Summary
Johann Sebastian Bach, English Baroque Soloists, John Eliot Gardiner, The Monteverdi Choir, The London Oratory Junior Choir made "Matthäus-Passion, BWV 244 / Zweiter Teil: No. 32 "Mir hat die Welt trüglich gericht"" available on January 1, 1989. With Matthäus-Passion, BWV 244 / Zweiter Teil: No. 32 "Mir hat die Welt trüglich gericht" being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 3 out of 68 in Bach, J.S.: St. Matthew Passion, BWV 244 by Johann Sebastian Bach, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner. Matthäus-Passion, BWV 244 / Zweiter Teil: No. 32 "Mir hat die Welt trüglich gericht" is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
Matthäus-Passion, BWV 244 / Zweiter Teil: No. 32 "Mir hat die Welt trüglich gericht" BPM
The tempo marking of Matthäus-Passion, BWV 244 / Zweiter Teil: No. 32 "Mir hat die Welt trüglich gericht" by Johann Sebastian Bach, English Baroque Soloists, John Eliot Gardiner, The Monteverdi Choir, The London Oratory Junior Choir is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Matthäus-Passion, BWV 244 / Zweiter Teil: No. 32 "Mir hat die Welt trüglich gericht" Key
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Handel: Water Music Suite No. 1, HWV 348: Overture (Largo - Allegro) | George Frideric Handel, John Eliot Gardiner, English Baroque Soloists | E Major | 2 | 12B | 130 BPM | |
 | Jesu, der du meine Seele, Cantata BWV 78: 1. Chorus: Jesu. der du meine Seele | Johann Sebastian Bach, Julianne Baird, Allan Fast, Frank Kelly, Jan Opalach, The Bach-Ensemble, Joshua Rifkin | F♯ Minor | 1 | 11A | 88 BPM | |
 | I. Schauet Doch Und Sehet, Ob Irgendein Schmerz Sei BWV 46, (6) Choral (Coro): O Großer Gott Der Treu' | Holland Boys Choir, Netherlands Bach Collegium, Bas Ramselaar, Ruth Holton, Johann Sebastian Bach, Anneke Boeke, Knut Schoch, Katherin Steddon, Sytse Buwalda, Pieter Jan Leusink | F♯ Minor | 1 | 11A | 85 BPM | |
 | IV. Wachet! Betet! Betet! Wachet! BWV 70, Prima Parte, 1. Coro: Wachet! Betet! Betet! Wachet! | Holland Boys Choir, Netherlands Bach Collegium, Ruth Holton, Sytse Buwalda, Frank Wakelkamp, Bas Ramselaar, Johann Sebastian Bach, Nico Van Der Meel, Susan Williams, Peter Frankenberg, Pieter Jan Leusink | F♯ Major | 3 | 2B | 79 BPM | |
 | Hercules, HWV 60 / Act 2: Recit: Father of Hercules" - Chorus: "Love and Hymen" | George Frideric Handel, Sarah Walker, English Baroque Soloists, John Eliot Gardiner, The Monteverdi Choir | D♭ Major | 0 | 3B | 100 BPM | |
 | Membra Jesu Nostri, BuxWV 75: 4. Ad latus | Dietrich Buxtehude, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | D Major | 3 | 10B | 98 BPM | |
 | Herz und Mund und Tat und Leben (Chorus) | Johann Sebastian Bach, Judith Spiesser, Annekathrin Laabs, Robert Sellier, Timo Janzen, Arcis-Vocalisten Munich, Arpa Festante Baroque Orchestra, L', Thomas Gropper | B Major | 3 | 1B | 97 BPM | |
 | Concerto In F Major, F Dur BWV978, After Antonio Vivaldi: Allegro | Arts Music Recording, Rotterdam, Pieter Dirksen, Johann Sebastian Bach | B♭ Major | 4 | 6B | 129 BPM | |
 | The Fairy Queen / Act 5: The Plaint | Henry Purcell, Jennifer Smith, English Baroque Soloists, John Eliot Gardiner | F♯ Major | 1 | 2B | 135 BPM | |
 | Matthäus-Passion, BWV 244 / Zweiter Teil: No. 33 "Und wiewohl viel falsche Zeugen herzutraten" | Johann Sebastian Bach, Anthony Rolfe Johnson, Michael Chance, Howard Crook, Cornelius Hauptmann, English Baroque Soloists, John Eliot Gardiner | F♯ Minor | 1 | 11A | 99 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.5305600166320801
End: 0.5340456962585449