Johann Sebastian Bach, Anthony Rolfe Johnson, Michael Chance, Howard Crook, Cornelius Hauptmann, English Baroque Soloists, John Eliot Gardiner's 'Matthäus-Passion, BWV 244 / Zweiter Teil: No. 33 "Und wiewohl viel falsche Zeugen herzutraten"' came out on January 1, 1989. With Matthäus-Passion, BWV 244 / Zweiter Teil: No. 33 "Und wiewohl viel falsche Zeugen herzutraten" being less than two minutes long, at 1:02, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 4 out of 68 in Bach, J.S.: St. Matthew Passion, BWV 244 by Johann Sebastian Bach, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner. In terms of popularity, Matthäus-Passion, BWV 244 / Zweiter Teil: No. 33 "Und wiewohl viel falsche Zeugen herzutraten" is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Matthäus-Passion, BWV 244 / Zweiter Teil: No. 33 "Und wiewohl viel falsche Zeugen herzutraten" by Johann Sebastian Bach, Anthony Rolfe Johnson, Michael Chance, Howard Crook, Cornelius Hauptmann, English Baroque Soloists, John Eliot Gardiner is Andante (at a walking pace), since this song has a tempo of 99 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Matthäus Passion, Prima Parte: 20. Aria (Tenor) With Chorus: Ich Will Bei Meinem Jesu Wachen | Stephen Cleobury, Choir of King's College, Cambridge, Johann Sebastian Bach, Emma Kirkby, Rogers Covey-Crump, Michael George, Martyn Hill, Michael Chance, David Thomas | B Minor | 1 | 10A | 73 BPM | ||
III. Ich Geh Und Suche Mit Verlangen BWV 49, (5) Recitativo (Soprano, Basso): Mein Glaube Hat Mich Selbst | Pieter Jan Leusink, Sytse Buwalda, Johann Sebastian Bach, Ruth Holton, Nico Van Der Meel, Peter Frankenberg, Holland Boys Choir; Netherlands Bach Collegium | A♭ Major | 0 | 4B | 84 BPM | ||
St. Matthew Passion, BWV 244: Part I: Chorale: Ich bin's, ich sollte bussen | Johann Sebastian Bach, Leipzig Thomaner Choir, Leipzig Gewandhaus Orchestra, Dresdner Kreuzchor, Erhard Mauersberger | B♭ Major | 2 | 6B | 134 BPM | ||
Goldberg Variations (‘Air with Thirty Variations’), BWV 988: Goldberg Variations (‘Air with Thirty Variations’), BWV 988: II. Allegro con freschezza, e deciso | Chiyan Wong, Johann Sebastian Bach, Ferruccio Busoni | D Major | 2 | 10B | 105 BPM | ||
St. John Passion, BWV 245: Part II: Recitative: Da fuhreten sie Jesum (Evangelist, Pilatus) - Ware dieser nicht ein Ubeltater (Chorus) | Johann Sebastian Bach, Joanne Lunn, Katherine Fuge, Bernarda Fink, Mark Padmore, Robert Murray, Paul Tindall, Hanno Müller-Brachmann, Peter Harvey, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | A♭ Minor | 2 | 1A | 106 BPM | ||
Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924 | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 139 BPM | ||
Bach, JS : Well-Tempered Clavier Book 2 : Fugue No.6 in D minor BWV875 | Daniel Barenboim | D Minor | 0 | 7A | 96 BPM | ||
III. Freue Dich, Erlöste Schar BWV 30, For The Feast Of John Baptist, Am Sonntag Cantate, Prima Parte: Choral (Coro), Eine Stimme Läßt Sich Hören | Pieter Jan Leusink, Nico Van Der Meel, Ruth Holton, Sytse Buwalda, Johann Sebastian Bach, Bas Ramselaar, Louis Van Emmerik, Doretthe Janssens, Holland Boys Choir; Netherlands Bach Collegium, Amsterdam Classics B.V., Jean Van Vugt, Oeds Van Middelkoop, Peter Frankenberg, Susanne Grutzmacher | D♭ Major | 2 | 3B | 85 BPM | ||
St. Matthew Passion, BWV 244, Pt. 2: No. 41. Des Morgens aber hielten alle Hohepriester | Johann Sebastian Bach, Stephen Cleobury, Academy of Ancient Music, Choir of King's College, Cambridge, James Gilchrist | B Minor | 0 | 10A | 65 BPM | ||
II. Meine Seufzer, Meine Tränen BWV 13, Recitativo (Alto): Mein Liebster Gott | Holland Boys Choir, Netherlands Bach Collegium, Knut Schoch, Sytse Buwalda, Bas Ramselaar, Ruth Holton, Anneke Boeke, Johann Sebastian Bach, Pieter Jan Leusink | E Minor | 0 | 9A | 95 BPM |
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