"Mörike-Lieder: 11. An eine Äolsharfe" by Hugo Wolf, Dietrich Fischer-Dieskau, Daniel Barenboim was released on January 1, 1995. Since Mörike-Lieder: 11. An eine Äolsharfe is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Wolf: Lieder by Hugo Wolf, Dietrich Fischer-Dieskau, Daniel Barenboim. The song's track number on the album is #9 out of 152 tracks. Based on our statistics, Mörike-Lieder: 11. An eine Äolsharfe's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Mörike-Lieder: 11. An eine Äolsharfe by Hugo Wolf, Dietrich Fischer-Dieskau, Daniel Barenboim has a tempo of 130 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Mörike-Lieder: 11. An eine Äolsharfe being at 130 BPM, the half-time would be 65 BPM with a double-time of 260 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Romances, Op. 8: No. 5, The Dream | Sergei Rachmaninoff, Hein Jung, Grigorios Zamparas | G Major | 0 | 9B | 79 BPM | ||
Liebesliederwalzer, Op. 52: Liebesliederwalzer, Op. 52: XV. Nachtigall, sie singt so schön | Johannes Brahms, Christoph Berner, Konrad Jarnot, Werner Güra, Stella Doufexis, Camillo Radicke, Marlis Petersen | C Minor | 2 | 5A | 127 BPM | ||
Haugtussa, Op. 67: VII. Vond dag | Charlotte Hoather, George Todica | B♭ Minor | 1 | 3A | 58 BPM | ||
6 Ariette: No. 5, Per pietà, bell'idol mio | Vincenzo Bellini, Jessica Pratt, Vincenzo Scalera | C Minor | 1 | 5A | 122 BPM | ||
Laue Sommernacht - Vocal | Alma Mahler, Angelika Kirchschlager | C Minor | 3 | 5A | 133 BPM | ||
Fünf Lieder: Ich Wandle Unter Blumen | Alma Mahler, Barbara Hannigan, Reinbert de Leeuw | F♯ Major | 0 | 2B | 75 BPM | ||
Haugtussa, Op. 67: V. Elsk | Charlotte Hoather, George Todica | C Major | 2 | 8B | 104 BPM | ||
Lieder (Duette), Op. 63: II. Abschiedslied der Zugvögel | Felix Mendelssohn, Angelika Kirchschlager, Barbara Bonney | E♭ Major | 1 | 5B | 167 BPM | ||
Humperdinck : Hänsel und Gretel : Act 3 "Der kleine Taumann heiss ich" [The Dew Fairy] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | D Major | 1 | 10B | 92 BPM | ||
Zigeunerlieder Op. 103: II. Hochgetürmte Rimaflut | Johannes Brahms, Anne Sofie von Otter, Bengt Forsberg | E Major | 0 | 12B | 81 BPM |
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