Giacomo Puccini, Maria Callas, Tito Gobbi, Orchestra Del Teatro Alla Scala, Milano, Victor de Sabata's 'Puccini: Tosca, Act 1 Scene 9: "Ed io venivo a lui tutta dogliosa" (Tosca, Scarpia)' came out on 1953. With this song being around four minutes long, at 3:46, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 44 in the song's album "Puccini : Tosca". In this album, this song's track order is #15. Furthermore, we believe that the track originated from United Kingdom. Puccini: Tosca, Act 1 Scene 9: "Ed io venivo a lui tutta dogliosa" (Tosca, Scarpia) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Puccini: Tosca, Act 1 Scene 9: "Ed io venivo a lui tutta dogliosa" (Tosca, Scarpia) by Giacomo Puccini, Maria Callas, Tito Gobbi, Orchestra Del Teatro Alla Scala, Milano, Victor de Sabata having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Norma (1997 Digital Remaster), ACT 2, Scene 1: Dormono entrambi (Norma) | Vincenzo Bellini, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | D Minor | 0 | 7A | 77 BPM | ||
Ponchielli: La Gioconda, Act 3: "O madre mia, nell'isola fatale" (Gioconda) | Amilcare Ponchielli, Maria Callas, Antonino Votto, Orchestra di Torino Della RAI | F Major | 1 | 7B | 77 BPM | ||
L'elisir d'amore / Act 1: "Una parola..chiedi all'aura" | Gaetano Donizetti, Luciano Pavarotti, Dame Joan Sutherland, English Chamber Orchestra, Richard Bonynge | E♭ Major | 1 | 5B | 79 BPM | ||
Norma (1997 Digital Remaster), ACT 2, Scene 1: Introduzione (Orchestra) | Vincenzo Bellini, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | D Minor | 0 | 7A | 95 BPM | ||
Il Barbiere di Siviglia: Ah! qual colpo inaspettato! - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly, Orchestra Del Teatro Alla Scala, Milano | D Minor | 0 | 7A | 106 BPM | ||
Bizet: Carmen, WD 31, Act 4 Scene 2: No. 27, Duo, "C'est toi! C'est moi!" - No. 28, Choeur final, "Viva viva! La course est belle!" (Carmen, Don José, Chorus) | Georges Bizet, Maria Callas, Nicolai Gedda, Choeurs Rene Duclos, Choeurs D'Enfants Jean Pesneaud, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Paris Opera Orchestra | D♭ Major | 2 | 3B | 119 BPM | ||
Cherubini: Medea, Act I: "Pronube dive" (Creonte, Chorus, Glauce, Giasone) | Luigi Cherubini, Giuseppe Modesti, Maria Luisa Nache, Gino Penno, Coro Del Teatro Alla Scala Di Milano, Vittore Veneziani, Orchestra Del Teatro Alla Scala, Milano, Leonard Bernstein | D Minor | 1 | 7A | 172 BPM | ||
Ponchielli: La Gioconda, Act 2: "Stella del marinar!" (Laura) | Amilcare Ponchielli, Fiorenza Cossotto, Antonino Votto, Orchestra Del Teatro Alla Scala, Milano | D Major | 3 | 10B | 105 BPM | ||
Lucia di Lammermoor / Act 1: "La pietade in suo favore" | Gaetano Donizetti, Sherrill Milnes, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | C Major | 2 | 8B | 123 BPM | ||
La Rondine: Act III: Non maledire, ascolta (Magda, Ruggero) | Giacomo Puccini, Svetla Vassileva, Maya Dashuk, Fabio Sartori, Emanuele Giannino, Marzio Giossi, Fernando Luis Ciuffo, Giorgio Berrugi, Andrea Patucelli, Polina Volfson, Alessandra Meozzi, Annunziata Vestri, Puccini Festival Chorus, Puccini Festival Orchestra, Alberto Veronesi | F♯ Major | 4 | 2B | 83 BPM |
Section: 0.5975596904754639
End: 0.6022007465362549