"La rosa y el sauce" by Carlos Guastavino, Christian-Pierre La Marca, Nathanaël Gouin was released on October 22, 2021. The duration of La rosa y el sauce is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. La rosa y el sauce's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Wonderful World by Pete Daily and His Chicagoans, Phil Napoleon and His Memphis Five, Christian-Pierre La Marca. The song's track number on the album is #15 out of 29 tracks. La rosa y el sauce is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since La rosa y el sauce by Carlos Guastavino, Christian-Pierre La Marca, Nathanaël Gouin has a tempo of 82 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With La rosa y el sauce being at 82 BPM, the half-time would be 41 BPM with a double-time of 164 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Notturno for Strings and Harp | Arnold Schoenberg, Daniel Hope, Zürcher Kammerorchester, Jane Berthe | A♭ Major | 1 | 4B | 75 BPM | ||
Suite española No. 1, Op. 47: Granada (Serenata) | Isaac Albéniz, Alicia de Larrocha | F Major | 0 | 7B | 63 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.1 in C major BWV846 | Daniel Barenboim | C Major | 0 | 8B | 95 BPM | ||
Love's Labour's Lost, Op. 28a: III. Dumaine's Poem | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | G Minor | 1 | 6A | 105 BPM | ||
Fuga Y misterio (arr. José Carli) | Die 12 Cellisten der Berliner Philharmoniker | A Minor | 2 | 8A | 122 BPM | ||
Nobody Knows the Trouble I've Seen | Die 12 Cellisten der Berliner Philharmoniker | D♭ Major | 1 | 3B | 91 BPM | ||
6 Impromptus, Op. 5: Impromptu VI | Jean Sibelius, Leif Ove Andsnes | E Major | 0 | 12B | 62 BPM | ||
Lieder ohne Worte (Songs without Words), Book 1, Op. 19b: Song without Words, Op. 19, No. 6, Venetian Boat Song I | Felix Mendelssohn, Gerald Garcia | D Minor | 0 | 7A | 133 BPM | ||
Habanera | Emmanuel Chabrier, Janina Fialkowska | A Major | 5 | 11B | 100 BPM | ||
Songs My Mother Taught Me, Op.55 No.4 | Antonín Dvořák, Alisa Weilerstein, Anna Polonsky | D Major | 0 | 10B | 96 BPM |
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