On August 1, 1996, the song "Concerto for 3 Violins in D Major: I. Allegro (arr. S. Standage for 3 violins and chamber ensemble) [After BWV 1064]" was released by Johann Sebastian Bach, Simon Standage, Micaela Comberti, Miles Golding, Collegium Musicum 90. Concerto for 3 Violins in D Major: I. Allegro (arr. S. Standage for 3 violins and chamber ensemble) [After BWV 1064] is about six minutes long, preciously at 6:04, making this song fairly long compared to other songs. The song is number 10 out of 12 in Bach, J.S.: Violin Concertos, Bwv 1041-1043 / Concerto for 3 Violins, Bwv 1064 by Johann Sebastian Bach, Simon Standage. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Concerto for 3 Violins in D Major: I. Allegro (arr. S. Standage for 3 violins and chamber ensemble) [After BWV 1064] is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Concerto for 3 Violins in D Major: I. Allegro (arr. S. Standage for 3 violins and chamber ensemble) [After BWV 1064] by Johann Sebastian Bach, Simon Standage, Micaela Comberti, Miles Golding, Collegium Musicum 90 is Andante (at a walking pace), since this song has a tempo of 96 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso In G Minor, Op. 3, No. 2, RV 578: I. Adagio E Spiccato - Allegro | Antonio Vivaldi, Capella Istropolitana | D Minor | 3 | 7A | 126 BPM | ||
Notebook for Anna Magdalena Bach (1725) [Excerpts]: No. 17, Polonaise in G Minor, H. 1 No. 2 [Attrib. J.S. Bach's BWV Anh. 123] | Carl Philipp Emanuel Bach, Giovanni Mazzocchin | E♭ Major | 1 | 5B | 113 BPM | ||
Matthäus-Passion, BWV 244, Erster Teil: 14. Evangelista, Jesus "Und da sie den Lobgesang gesprochen hatten" | Johann Sebastian Bach, Collegium Vocale Gent, Franz-Joseph Selig, Ian Bostridge, Philippe Herreweghe | A♭ Major | 1 | 4B | 98 BPM | ||
Lieder ohne Worte, Op.19: No. 6 In G Minor (Andante sostenuto), MWV U 78 - "Venetian Gondola Song" | Felix Mendelssohn, Daniel Barenboim | G Minor | 0 | 6A | 82 BPM | ||
3 Preludes and Fugues, Op. 16: No. 2. Prelude and Fugue in B-Flat Major | Clara Schumann, Jozef De Beenhouwer | B♭ Major | 0 | 6B | 100 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: II. Andante E Piano | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | E♭ Major | 1 | 5B | 103 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1060: II. Largo Ovvero Adagio | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 2 | 5A | 176 BPM | ||
Bach, JS: Brandenburg Concerto No. 1 in F Major, BWV 1046: II. Adagio | Johann Sebastian Bach, Catherine Mackintosh, Paul Goodwin, Susan Dent, Timothy Brown, Orchestra of the Age of Enlightenment | D♭ Minor | 1 | 12A | 133 BPM | ||
Symphony No. 1 in B-Flat Major, Op. 2, "New Year Ode": III. Allegro | William Boyce, Aradia Ensemble, Kevin Mallon | A Major | 2 | 11B | 120 BPM | ||
Trumpet Sonata in D Major, Z. 850: I. Allegro | Henry Purcell, Ede Inhoff, Hungarian State Opera Chamber Orchestra | E♭ Minor | 0 | 2A | 83 BPM |
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