"「ソングス・フォー・ザ・・カミング・デイ~来たるべき日への歌」 第7楽章:愛することができないとき、僕は朝を待ちわびる" by 雲井雅人サックス四重奏団 was released on October 16, 2013. The duration of 「ソングス・フォー・ザ・・カミング・デイ~来たるべき日への歌」 第7楽章:愛することができないとき、僕は朝を待ちわびる is about 3 minutes long, at 3:12. Based on our data, "「ソングス・フォー・ザ・・カミング・デイ~来たるべき日への歌」 第7楽章:愛することができないとき、僕は朝を待ちわびる" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There is only one song in マスランカ:ソングス・フォー・ザ・カミング・デイ&生命の奇跡, so we believe that "「ソングス・フォー・ザ・・カミング・デイ~来たるべき日への歌」 第7楽章:愛することができないとき、僕は朝を待ちわびる" is a single. 「ソングス・フォー・ザ・・カミング・デイ~来たるべき日への歌」 第7楽章:愛することができないとき、僕は朝を待ちわびる is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 「ソングス・フォー・ザ・・カミング・デイ~来たるべき日への歌」 第7楽章:愛することができないとき、僕は朝を待ちわびる by 雲井雅人サックス四重奏団 is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Legacy of the Woods | Itaru Sakai, Tokai University Takanawadai Senior High School Wind Orchestra, Takao Hatakeda | D♭ Major | 2 | 3B | 141 BPM | ||
Dies Natalis, Op.8: 1. Intrada | Gerald Finzi, Aurora Orchestra, Nicholas Collon | C Minor | 1 | 5A | 82 BPM | ||
Wind Quintet in A-Flat, Op. 14: I. Allegro moderato | Gustav Holst, Elysian Wind Quintet | G Major | 1 | 9B | 125 BPM | ||
Trumpet Concerto, Op. 18: III. Allegretto - Rondo: Allegro scherzando | Oskar Böhme, Giuliano Sommerhalder, Westphalia New Philharmonic Orchestra, Heiko-Mathias Forster | E Major | 3 | 12B | 133 BPM | ||
組曲「動物の謝肉祭」 5. 象 | Camille Saint-Saëns, Sir Charles Groves, フィルハーモニア管弦楽団 | D Major | 2 | 10B | 122 BPM | ||
ファンタスマゴリア | フィルハーモニック・ウインズ 大阪 | C Major | 1 | 8B | 59 BPM | ||
Scaramouche, Op. 165c: III. Brazileira | Darius Milhaud, Sohre Rahbari, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | F Major | 3 | 7B | 72 BPM | ||
A PLAY ABOUT GHOSTS | ЧЕПЦОВ Александр, LEX STONE | D Major | 2 | 10B | 178 BPM | ||
Fountains of Rome, P. 106: I. The Fountain of Valle Giulia at Dawn | Ottorino Respighi, Orchestra Sinfonica Nazionale Della RAI, Robert Trevino | C Major | 0 | 8B | 60 BPM | ||
二つの悲しき旋律: 第2曲: 過ぎし春 | Edvard Grieg, 石田泰尚, 石田組 | F Major | 1 | 7B | 74 BPM |
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