"Roman tanc (Romanian Dance), BB 61" by Béla Bartók, Hungarian National Philharmonic, Zoltán Kocsis was released on July 15, 2014. With this song being about 5 minutes long, at 4:52, "Roman tanc (Romanian Dance), BB 61" by Béla Bartók, Hungarian National Philharmonic, Zoltán Kocsis is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 5 out of 20 in Bartók: Orchestral Suite No. 2 - Romanian Dance - Romanian Folk Dances - Dance Suite by Béla Bartók, Zoltán Kocsis. Going off of the ISRC code of this track, we detected that the origin of this track is from Hungary. In terms of popularity, Roman tanc (Romanian Dance), BB 61 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Roman tanc (Romanian Dance), BB 61 by Béla Bartók, Hungarian National Philharmonic, Zoltán Kocsis is Andante (at a walking pace), since this song has a tempo of 99 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Symphonie fantastique, Op. 14, H 48: 5d. Songe d'une nuit du Sabbat - Dies irae et Ronde du Sabbat ensemble | Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado | B♭ Major | 1 | 6B | 153 BPM | ||
Pictures at an Exhibition (Orch. Ravel): I. Gnomus | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | E Major | 1 | 12B | 60 BPM | ||
Music for Strings, Percussion and Celesta, Sz. 106: II. Allegro | Béla Bartók, Chicago Symphony Orchestra, Sir Georg Solti | D♭ Major | 2 | 3B | 142 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 12. B.G.N. (Andante) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | B♭ Major | 0 | 6B | 82 BPM | ||
Deux Arabesques L. 66: No. 2 Allegretto scherzande | Claude Debussy, Zoltán Kocsis | G Major | 1 | 9B | 84 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ": Allegro | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | F Major | 3 | 7B | 111 BPM | ||
The Rite of Spring: Part One: Adoration of the Earth: Games of the Rival Tribes | Igor Stravinsky, Teodor Currentzis, musicAeterna | G Major | 4 | 9B | 80 BPM | ||
A Dante Symphony, S.109: Alternative conclusion (Text: Dante Alighieri) | Franz Liszt, Choeur de la section artistique du Collège Voltaire & L'atelier choral de Genève, Jesús López-Cobos, Orchestre de la Suisse Romande | E Major | 3 | 12B | 80 BPM | ||
Symphony No. 41 in C Major, K. 551 'Jupiter': IV. Molto Allegro | Wolfgang Amadeus Mozart, Budapest Festival Orchestra, Iván Fischer | C Major | 3 | 8B | 138 BPM | ||
Images - Book 2, L. 111: 3. Poissons d'or | Claude Debussy, Zoltán Kocsis | E♭ Major | 0 | 5B | 138 BPM |
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