"Jeunes filles, 5 esquisses pour piano: No. 1. L'insouciante" by Guy Ropartz, Stephane Lemelin was released on August 1, 2002. The duration of Jeunes filles, 5 esquisses pour piano: No. 1. L'insouciante is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Jeunes filles, 5 esquisses pour piano: No. 1. L'insouciante's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "Ropartz: Musiques au jardin / Jeunes filles / Nocturnes / Scherzo". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Canada. Jeunes filles, 5 esquisses pour piano: No. 1. L'insouciante is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Jeunes filles, 5 esquisses pour piano: No. 1. L'insouciante by Guy Ropartz, Stephane Lemelin having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Zigeunerweisen, Op. 20: III. Un peu plus lent | Pablo de Sarasate, Anne-Sophie Mutter, Wiener Philharmoniker, James Levine | C Minor | 0 | 5A | 88 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ" (Remastered): I. Poco adagio | Camille Saint-Saëns, Eugene Ormandy, E. Power Biggs, Philadelphia Orchestra | C Major | 4 | 8B | 105 BPM | ||
Asociación de ideas | Juan Pablo Fernández Ramos | F Major | 0 | 7B | 136 BPM | ||
J. CHUQUISENGO: Andean summits for Orchestra (Chuquisengo, conductor) | Juan José Chuquisengo | B♭ Major | 2 | 6B | 77 BPM | ||
Summer Night - Suite from 'The Duenna', Op. 123: 2. Serenade | Bournemouth Symphony Orchestra, Paavo Berglund | C Major | 1 | 8B | 117 BPM | ||
The Seven Stars' Symphony, Op. 132: II. Lilian Harvey | Charles Koechlin, Sinfonieorchester Basel, Ariane Matiakh | D♭ Major | 1 | 3B | 81 BPM | ||
Prélude en Ré b/Des | Lili Boulanger, Antonii Baryshevskyi | A♭ Major | 0 | 4B | 72 BPM | ||
Rêverie | Fernand de la Tombelle, Munich Radio Orchestra, Herve Niquet | E Major | 1 | 12B | 99 BPM | ||
Concerto for Violin, Piano and Orchestra, H. 342: I. Poco allegro | Bohuslav Martinů, Miroslav Sekera, Prague Radio Symphony Orchestra, Josef Spacek | B♭ Major | 2 | 6B | 107 BPM | ||
Wind Quintet in A-Flat, Op. 14: I. Allegro moderato | Gustav Holst, Elysian Wind Quintet | G Major | 1 | 9B | 125 BPM |
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