Hector Berlioz, Cleveland Orchestra, Christoph von Dohnányi's 'Symphonie fantastique, Op. 14: 4. Marche au supplice (Allegretto non troppo)' came out on January 1, 1990. Since Symphonie fantastique, Op. 14: 4. Marche au supplice (Allegretto non troppo) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 4 out of 6 in Berlioz: Symphonie fantastique / Weber: Invitation To The Dance by Hector Berlioz, Christoph von Dohnányi, Cleveland Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Symphonie fantastique, Op. 14: 4. Marche au supplice (Allegretto non troppo) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphonie fantastique, Op. 14: 4. Marche au supplice (Allegretto non troppo) by Hector Berlioz, Cleveland Orchestra, Christoph von Dohnányi is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Firebird (L'oiseau De Feu) - Suite (1919): Finale | Igor Stravinsky, Orchestre de l'Opéra Bastille, Myung-Whun Chung | E Major | 2 | 12B | 78 BPM | ||
Peer Gynt Suite No.2, Op.55: 2. Arabian Dance | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | F Major | 1 | 7B | 123 BPM | ||
St. Paul's Suite, Op. 29, No. 2: IV. Finale, "The Dargason" | Gustav Holst, English Sinfonia, Howard Griffiths | C Major | 3 | 8B | 80 BPM | ||
Symphony No. 10 in E Minor, Op. 93: II. Allegro | Dmitri Shostakovich, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | B♭ Minor | 6 | 3A | 89 BPM | ||
La damnation de Faust, Op. 24, Part II: Ballet des syphes (Dance of the Spirits) | Hector Berlioz, Hungarian National Philharmonic, Ádám Fischer | D Major | 0 | 10B | 80 BPM | ||
Grande messe des morts, Op. 5, "Requiem": Agnus Dei | Hector Berlioz, Michael Schade, Toronto Mendelssohn Choir, Toronto Mendelssohn Youth Choir, Elora Festival Orchestra, Noel Edison | B♭ Major | 0 | 6B | 79 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 21 in E Minor. Vivace (Orch. Dvořák) | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | E Minor | 4 | 9A | 80 BPM | ||
Polovetsian Dances from Prince Igor: Allegro vivo | Alexander Borodin, George Szell, Cleveland Orchestra | F Major | 3 | 7B | 81 BPM | ||
Jazz Suite No. 2: III. Dance 1 | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | A Major | 3 | 11B | 153 BPM | ||
Berlioz: La Damnation de Faust, Op. 24, H. 111, Pt. 3: Tambours et trompettes sonnant la retraite | Hector Berlioz, John Nelson, Alexandre Duhamel, Joyce DiDonato, Michael Spyres, Nicolas Courjal, Orchestre Philharmonique De Strasbourg | D♭ Major | 0 | 3B | 78 BPM |
Section: 0.9684736728668213
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