"Madama Butterfly / Act 2: Una nave da guerra" by Giacomo Puccini, Fiorenza Cossotto, Renata Tebaldi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Tullio Serafin was released on January 1, 1958. The duration of Madama Butterfly / Act 2: Una nave da guerra is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Madama Butterfly / Act 2: Una nave da guerra's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 42 in the song's album "Puccini: Madama Butterfly". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Madama Butterfly / Act 2: Una nave da guerra is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Madama Butterfly / Act 2: Una nave da guerra by Giacomo Puccini, Fiorenza Cossotto, Renata Tebaldi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Tullio Serafin having a BPM of 116 with a half-time of 58 BPM and a double-time of 232 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Roméo et Juliette, Acte II: "L'amour... Ah! Lève-toi, soleil!" | Charles Gounod, Jonas Kaufmann, Bertrand de Billy | F Major | 1 | 7B | 80 BPM | ||
Bizet: Carmen, WD 31, Act 2: "La fleur que tu m'avais jetée" (Don José) | Georges Bizet, Lorin Maazel, Orchestre National De France | D Major | 2 | 10B | 99 BPM | ||
Puccini: La bohème, Act I: "Che gelida manina!" | Giacomo Puccini, Giuseppe Di Stefano, Antonino Votto, Orchestra Del Teatro Alla Scala, Milano | A♭ Major | 1 | 4B | 86 BPM | ||
Roméo et Juliette, CG 9 / Act 1: "Ah, je veux vivre dans ce rève" | Charles Gounod, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | C Major | 3 | 8B | 77 BPM | ||
Norma: Casta diva | Vincenzo Bellini, Carlo Felice Cillario, London Philharmonic Orchestra | D♭ Major | 2 | 3B | 85 BPM | ||
Fedora, Act II: Amor ti vieta | Umberto Giordano, Mario Lanza, Ray Heindorf | C Major | 3 | 8B | 86 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": 2. Adagio un poco mosso | Ludwig van Beethoven, Alfred Brendel, Wiener Philharmoniker, Sir Simon Rattle | B Major | 0 | 1B | 85 BPM | ||
Dvorák: Rusalka, Op. 114, Act 1: Song to the Moon | Antonín Dvořák, Lucia Popp, Stefan Soltesz, Das Münchner Rundfunkorchester | F♯ Major | 1 | 2B | 81 BPM | ||
Delibes: Lakmé, Act II: "Par les dieux inspirés" - Air des clochettes. "Où va la jeune hindoue" (Lakmé, Nilakantha, Chorus) | Léo Delibes, Natalie Dessay, Choeur Du Capitole De Toulouse, José van Dam, Michel Plasson, Orchestre Du Capitole De Toulouse | A Major | 1 | 11B | 124 BPM |
Section: 0.7723710536956787
End: 0.7769627571105957