Georg Philipp Telemann, Freiburger Barockorchester, Petra Mullejans, Gottfried Von Der Goltz made "Trio in E minor / mi mineur / e-moll: II. Allegro" available on October 21, 2010. The duration of Trio in E minor / mi mineur / e-moll: II. Allegro is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. Trio in E minor / mi mineur / e-moll: II. Allegro's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 69 in the song's album "Telemann: Complete Tafelmusik". In this album, this song's track order is #5. Based on our statistics, Trio in E minor / mi mineur / e-moll: II. Allegro's popularity is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Trio in E minor / mi mineur / e-moll: II. Allegro by Georg Philipp Telemann, Freiburger Barockorchester, Petra Mullejans, Gottfried Von Der Goltz having a BPM of 127 with a half-time of 64 BPM and a double-time of 254 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trio Sonata in G Minor, Op. 5, No. 18, RV 72: II. Allemanda (Allegro) | Antonio Vivaldi, Ingrid Seifert, Richard Gwilt, Charles Medlam, Terence R. Charlston, Irmgard Schaller, London Baroque | A Major | 2 | 11B | 118 BPM | ||
Concerto in F major for Violin, 2 oboes, 2 horns, cello, bassoon & strings RV 571: 2. Largo | Antonio Vivaldi, Danny Bond, Simon Standage, Frank de Bruine, Academy of Ancient Music, Christopher Hogwood | F Minor | 1 | 4A | 134 BPM | ||
Concerto Grosso in E Minor, Op. 3, No. 3: III. Adagio | Francesco Geminiani, Capella Istropolitana | E Minor | 0 | 9A | 142 BPM | ||
Concerto a cinque No. 8, Op. 9: II. Adagio | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | A Major | 2 | 11B | 83 BPM | ||
Varie partite del passemezo, ciaccona, capricii, e passagalii, Op. 7: Ciaccona | Giovanni Battista Vitali, London Baroque | E Major | 1 | 12B | 101 BPM | ||
Concerto Grosso, Op. 6, No. 04 in A Minor (HWV 322): Larghetto affettuoso | George Frideric Handel, Academy of Ancient Music, Andrew Manze | A♭ Minor | 0 | 1A | 84 BPM | ||
Symphony No. 4 in C Major: III. Allegro | Franz Xaver Richter, Helsinki Baroque Orchestra, Aapo Häkkinen | F♯ Major | 2 | 2B | 186 BPM | ||
Pieces de clavessin: Suite No. 2 in D Major: IV. Gavotte en Rondeau | Gaspard Le Roux, London Baroque | D♭ Major | 1 | 3B | 40 BPM | ||
Concerto Grosso in G Minor, Op. 1, No. 12: V. Gavotta | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | C Major | 3 | 8B | 109 BPM | ||
Trumpet Concerto in D Major, FWV L:D1: III. Allegro | Johann Friedrich Fasch, Niklas Eklund, Drottningholm Baroque Ensemble, Nils-Erik Sparf | A♭ Major | 2 | 4B | 127 BPM |
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