Antonio Vivaldi, Ingrid Seifert, Richard Gwilt, Charles Medlam, Terence R. Charlston, Irmgard Schaller, London Baroque's 'Trio Sonata in G Minor, Op. 5, No. 18, RV 72: II. Allemanda (Allegro)' came out on August 31, 2000. The duration of Trio Sonata in G Minor, Op. 5, No. 18, RV 72: II. Allemanda (Allegro) is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. Trio Sonata in G Minor, Op. 5, No. 18, RV 72: II. Allemanda (Allegro)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vivaldi: Trio Sonatas, Op. 1 by Antonio Vivaldi, London Baroque, Charles Medlam. The song's track number on the album is #13 out of 62 tracks. Based on our data, Sweden was the country where this track was produced or recorded. In terms of popularity, Trio Sonata in G Minor, Op. 5, No. 18, RV 72: II. Allemanda (Allegro) is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Trio Sonata in G Minor, Op. 5, No. 18, RV 72: II. Allemanda (Allegro) by Antonio Vivaldi, Ingrid Seifert, Richard Gwilt, Charles Medlam, Terence R. Charlston, Irmgard Schaller, London Baroque has a tempo of 118 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Trio Sonata in G Minor, Op. 5, No. 18, RV 72: II. Allemanda (Allegro) being at 118 BPM, the half-time would be 59 BPM with a double-time of 236 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | ||
Sonata a 5 in G Minor, Op. 2, No. 6: IV. Allegro | Tomaso Albinoni, Capella Istropolitana, Jaroslav Krcek | G Minor | 3 | 6A | 59 BPM | ||
Concerto For 3 Violins In F Major, RV 551: I. Allegro | Sonatori de la Gioiosa Marca, Antonio Vivaldi | C Major | 3 | 8B | 115 BPM | ||
Flute Concerto In G Minor, Op. 10, No. 2, RV 439, "La Notte": III. Largo-il Sonno-allegro | Jiří Válek, Capella Istropolitana, Antonio Vivaldi | C Major | 2 | 8B | 116 BPM | ||
Viola Concerto in C Minor: III. Allegro molto energico | Johann Christian Bach, Henri Casadesus, Nemanja Radulović, Double Sens | G Minor | 3 | 6A | 79 BPM | ||
Nocturne No. 6 in G Minor, Op. 15 No. 3 | Frédéric Chopin, Daniel Barenboim | D Minor | 0 | 7A | 132 BPM | ||
Haydn: Cello Concerto No. 2 in D Major, Hob. VIIb:2: III. Rondo. Allegro | Joseph Haydn, Frédéric Lodéon, Theodor Guschlbauer, Bournemouth Sinfonietta | B♭ Major | 0 | 6B | 183 BPM | ||
Oboe Concerto in C Major, Op. 9, No. 5: II. Adagio (non troppo) | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | A Minor | 1 | 8A | 79 BPM | ||
Rigaudons I, II & Double | Jean-Philippe Rameau, Víkingur Ólafsson | E Major | 3 | 12B | 106 BPM | ||
Violin Sonata in A major, FWV 8: IV. Allegretto poco mosso | César Franck, Joshua Bell, Jeremy Denk | A Major | 1 | 11B | 94 BPM |
Section: 0.892676591873169
End: 0.8999843597412109