"Serenade in E Minor, Op. 20: I. Allegro piacevole" by English Chamber Orchestra, José-Luis Garcia, Mary Eade, Quintin Ballardie, Olga Hegedus was released on April 6, 2009. The duration of Serenade in E Minor, Op. 20: I. Allegro piacevole is about 3 minutes long, at 3:29. Based on our data, "Serenade in E Minor, Op. 20: I. Allegro piacevole" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 5 out of 9 in Elgar: Music for Strings by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Serenade in E Minor, Op. 20: I. Allegro piacevole is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Serenade in E Minor, Op. 20: I. Allegro piacevole by English Chamber Orchestra, José-Luis Garcia, Mary Eade, Quintin Ballardie, Olga Hegedus is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'elisir d'amore / Act 1: "Quanto è bella" | Gaetano Donizetti, Luciano Pavarotti, Maria Casula, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | C Major | 2 | 8B | 80 BPM | ||
Romeo and Juliet Suite No. 3, Op. 101: V. Aubade (Morning Serenade) | Sergei Prokofiev, Bergen Philharmonic Orchestra, Andrew Litton | G Major | 2 | 9B | 57 BPM | ||
Peer Gynt Suite No.1 op. 46 Anitra's Dance (Tempo di Mazurka) | Academy of St. Martin in the Fields | E Minor | 0 | 9A | 168 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 1. C.A.E. (L'istesso tempo) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 81 BPM | ||
Concerto No. 21 in C Major for Piano and Orchestra, K. 467: II. Andante | Finghin Collins | F Major | 1 | 7B | 177 BPM | ||
Cello Concerto No. 1 In C Major, G. 477: II. Largo | Tim Hugh, Scottish Chamber Orchestra, Luigi Boccherini | F Major | 0 | 7B | 70 BPM | ||
Lieder ohne Worte (Songs without Words), Book 2, Op. 30: No. 7 in E-Flat Major, Op. 30, No. 1 | Felix Mendelssohn, Péter Nagy | E♭ Major | 0 | 5B | 68 BPM | ||
Shepherd's Hey | Percy Grainger, English Chamber Orchestra, Benjamin Britten | A♭ Major | 2 | 4B | 97 BPM | ||
El Baile de Luis Alonso | English Chamber Orchestra | E Major | 2 | 12B | 116 BPM | ||
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM |
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