Wolfgang Amadeus Mozart, Sir Neville Marriner, Academy of St. Martin in the Fields, Imogen Cooper, Anne Queffélec's 'Concerto For Two Pianos, K. 365, 3rd Movement' came out on January 1, 1984. Since Concerto For Two Pianos, K. 365, 3rd Movement is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 7 out of 30 in Amadeus (The Complete Soundtrack Recording) by Wolfgang Amadeus Mozart, Sir Neville Marriner, Academy of St. Martin in the Fields. Concerto For Two Pianos, K. 365, 3rd Movement is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerto For Two Pianos, K. 365, 3rd Movement by Wolfgang Amadeus Mozart, Sir Neville Marriner, Academy of St. Martin in the Fields, Imogen Cooper, Anne Queffélec is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
The music key of this track is E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for 2 Pianos and Orchestra (No.10) in E flat, K.365: 3. Rondeau (Allegro) | Wolfgang Amadeus Mozart, Alfred Brendel, Imogen Cooper, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Major | 2 | 5B | 87 BPM | ||
Symphony No. 3 in G Minor, Op. 36: I. Adagio - Allegro | Louise Farrenc, North German Radio Symphony, Hannover, Johannes Goritzki | G Minor | 1 | 6A | 97 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102 (Version for Piano Duet): II. Andante | Dmitri Shostakovich, Min Kyung Kim, Hyung Jin Moon | C Minor | 0 | 5A | 179 BPM | ||
The Magic Flute, Overture, K620 | Wolfgang Amadeus Mozart, Sir Neville Marriner, Academy of St. Martin in the Fields | C Minor | 1 | 5A | 85 BPM | ||
Sixty Minutes Polka | Alma Deutscher | D Major | 1 | 10B | 107 BPM | ||
Guillaume Tell (William Tell): Overture (arr. F. Wrede for 2 pianos 8 hands): Andante - | Gioachino Rossini, Ferdinand Wrede, 12 Pianists | G Major | 0 | 9B | 74 BPM | ||
Sylvia: Prelude: The Huntresses | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | E♭ Major | 2 | 5B | 80 BPM | ||
Peer Gynt, Op. 23: No. 16, Anitra's Dance | Edvard Grieg, San Francisco Symphony, Herbert Blomstedt | A Minor | 0 | 8A | 82 BPM | ||
Pictures at an Exhibition (Orch. Ravel): X. The Great Gate of Kiev | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | E♭ Major | 2 | 5B | 69 BPM | ||
Trout Quintet: Andante | Franz Schubert, Boris Berezovsky, Soloists of the Royal Opera House Orchestra, Covent Garden, Vasko Vassiliev, Andrew Staples, Christopher Vanderspar, Tony Hougham | C Major | 0 | 8B | 104 BPM |
Section: 0.5602133274078369
End: 0.5642929077148438