Johann Steuerlein, Thilo Dahlmann, Kay Johannsen's 'Wie lieblich ist der Maien (Arr. Johannsen)' came out on March 1, 2012. With Wie lieblich ist der Maien (Arr. Johannsen) being less than two minutes long, at 1:45, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 21 out of 89 in Aus meines Herzens Grunde (Großdruck) by Ruth Sandhoff, Sarah Wegener, Marion Eckstein, Andreas Weller, Klaus Mertens, Thilo Dahlmann, Kay Johannsen, Götz Payer. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. The popularity of Wie lieblich ist der Maien (Arr. Johannsen) is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Wie lieblich ist der Maien (Arr. Johannsen) by Johann Steuerlein, Thilo Dahlmann, Kay Johannsen is Vivace (lively and fast), since this song has a tempo of 169 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hail, gladdening light | Charles Wood, The Choir Of Trinity College, Cambridge | A Major | 1 | 11B | 130 BPM | ||
Påskemorgen slukker sorgen | Oslo Domkor | F♯ Major | 2 | 2B | 70 BPM | ||
Nachtlied: Die Nacht ist kommen, Op. 138/3 | Max Reger, Thomas Hengelbrock | B Minor | 0 | 10A | 176 BPM | ||
Fanfare (Lemmens) | Arturo Sacchetti | D Major | 3 | 10B | 104 BPM | ||
Sacrae cantiones: Justorum animae | Orlande de Lassus, Voices of Ascension Chorus, Dennis Keene | E♭ Major | 1 | 5B | 93 BPM | ||
Hil dig, frelser og forsoner | Caspar Christian Hoffmann, Sankt Annæ Pigekor | G Major | 1 | 9B | 78 BPM | ||
Come Again | John Dowland, Cantus Thuringia | F♯ Major | 2 | 2B | 112 BPM | ||
Halvan | Linköpings Studentsångarförening Lihkören, Hans Lundgren | A♭ Major | 1 | 4B | 115 BPM | ||
Tunes for Archbishop Parker's Psalter: No. 3, Psalm 2 "Why Fum'th in Fight" (Arr. for Choir, Organ & Brass Ensemble) | Thomas Tallis, Croydon Minster Choir Of Whitgift School, The English Cornett and Sackbut Ensemble, Tom Little, Ronny Krippner | A Minor | 1 | 8A | 87 BPM | ||
O sing joyfully | Adrian Batten, Voices of Ascension Chorus, Dennis Keene | A♭ Major | 1 | 4B | 128 BPM |
Section: 0.5695548057556152
End: 0.5749750137329102