John Dowland, Cantus Thuringia's ' "Come Again" was released on its scheduled release date, November 9, 2018. The duration of This song is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. Come Again's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 23 in the song's album "Time Stands Still". In this album, this song's track order is #22. Furthermore, we believe that the track originated from Germany. In terms of popularity, Come Again is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Come Again by John Dowland, Cantus Thuringia having a BPM of 112 with a half-time of 56 BPM and a double-time of 224 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Weihnachtslieder, Op. 8: No. 3, The Three Kings (Arr. Atkins/Park) | Peter Cornelius, Owain Park, The Gesualdo Six | G Major | 1 | 9B | 95 BPM | ||
Gibbons: The Silver Swan | The Tallis Scholars, Peter Phillips | E Major | 0 | 12B | 71 BPM | ||
Behold a wonder here | John Dowland, Andreas Martin, Andreas Scholl | E Major | 1 | 12B | 129 BPM | ||
5 Songs: III. Laue Sommernacht (Transcr. Gottwald for Choir) | Alma Mahler, SWR Vokalensemble Stuttgart, Marcus Creed | D Major | 1 | 10B | 136 BPM | ||
Hush, no More (Sleep) | Henry Purcell, Sjaella | B Minor | 0 | 10A | 97 BPM | ||
Never weather-beaten sail | Thomas Campion, Stile Antico | G Major | 1 | 9B | 80 BPM | ||
Tabortüznel | Lajos Bárdos, Ensemble vocal Filigrane, Jean-Philippe Billmann | D Minor | 1 | 7A | 89 BPM | ||
It Was a Lover and His Lass: It was a Lover and his Lass | Ralph Vaughan Williams, Anthony Rolfe Johnson, Simon Keenlyside, Graham Johnson, Duke Quartet | B Minor | 0 | 10A | 127 BPM | ||
Mistress Nichols’ Almaine | John Dowland, Christoph Denoth | E Major | 1 | 12B | 123 BPM | ||
Thou knowest Lord | Henry Purcell, Choir of Clare College, Cambridge, Timothy Brown | B♭ Major | 0 | 6B | 135 BPM |