Antonio Vivaldi, Sir Neville Marriner, Academy Chorus of St Martin in the Fields, Academy of St. Martin in the Fields's 'Vivaldi: Gloria in D Major, RV 589: I. Gloria in excelsis Deo' came out on February 10, 2023. The duration of Vivaldi: Gloria in D Major, RV 589: I. Gloria in excelsis Deo is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. Vivaldi: Gloria in D Major, RV 589: I. Gloria in excelsis Deo's duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 24 in Academy of St Martin in the Fields - Vivaldi by Antonio Vivaldi, Academy of St. Martin in the Fields. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Vivaldi: Gloria in D Major, RV 589: I. Gloria in excelsis Deo's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Vivaldi: Gloria in D Major, RV 589: I. Gloria in excelsis Deo by Antonio Vivaldi, Sir Neville Marriner, Academy Chorus of St Martin in the Fields, Academy of St. Martin in the Fields is Allegro (fast, quick, and bright), since this song has a tempo of 126 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nulla in mundo pax, RV 630: I. Aria. Nulla in mundo pax | Antonio Vivaldi, Elly Ameling, English Chamber Orchestra, Jeffrey Tate, Vittorio Negri | E Major | 1 | 12B | 84 BPM | ||
At The Opera ("Faust" Opera) | Elmer Bernstein, C. F. Gounod | D♭ Major | 2 | 3B | 170 BPM | ||
Monteverdi / Arr Pluhar: Zefiro torna e di soavi accenti, SV 251 | Claudio Monteverdi, Christina Pluhar, Núria Rial, Philippe Jaroussky | F Major | 2 | 7B | 117 BPM | ||
Capriccio espagnol, Op. 34: I. Alborada | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | A Major | 3 | 11B | 127 BPM | ||
Mozart: Symphony No. 40 in G Minor, K. 550: I. Molto allegro | Wolfgang Amadeus Mozart, Sir Neville Marriner, Academy of St. Martin in the Fields | A Minor | 0 | 8A | 152 BPM | ||
Carmen, WD 31, Act I: L'amour est un oiseau rebelle, "Habanera" (Carmen) | Georges Bizet, Graciela Alperyn, Slovak Radio Symphony Orchestra, Ali Rahbari, Giorgio Lamberti, Alan Titus, Doina Palade, Dalia Schaechter, Ann Liebeck, Danilo Rigosa, Slovak Philharmonic Chorus, Bratislava Children's Choir | F♯ Major | 2 | 2B | 117 BPM | ||
Chants d'Auvergne: 2. Bailero | Joseph Canteloube, Kiri Te Kanawa, English Chamber Orchestra, Jeffrey Tate | B♭ Major | 0 | 6B | 75 BPM | ||
Il Trovatore / Act 2: "Vedi! le fosche notturne spoglie" (Anvil Chorus) | Giuseppe Verdi, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | G Major | 3 | 9B | 130 BPM | ||
Lauda Jerusalem, RV 609 (Live) | Antonio Vivaldi, Hanna Herfurtner, Joowon Chung, Salzburg Bach Choir, Bach Consort Wien, Ruben Dubrovsky | E♭ Minor | 3 | 2A | 133 BPM | ||
I'll Always Go Back To That Church | Academy of St. Martin in the Fields, Gabriel Yared | D Major | 2 | 10B | 133 BPM |
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