"Rappresentatione di Anima, et di Corpo, Atto secondo: Scena settima (Mondo, Vita mondana, Corpo, Anima, Angelo Custode, Choro)" by Emilio de' Cavalieri, Johannette Zomer, Stephan MacLeod, Marco Beasley, L'Arpeggiata, Christina Pluhar, Núria Rial, Béatrice Mayo-Felip was released on 2001. Since Rappresentatione di Anima, et di Corpo, Atto secondo: Scena settima (Mondo, Vita mondana, Corpo, Anima, Angelo Custode, Choro) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Lucilla Galeazzi, Marco Beasley, L'Arpeggiata, Christina Pluhar, Gianluigi Trovesi, Johanette Zomer's "L'Arpeggiata, Christina Pluhar: The Complete Alpha Recordings" album is number 14 out of 100. Rappresentatione di Anima, et di Corpo, Atto secondo: Scena settima (Mondo, Vita mondana, Corpo, Anima, Angelo Custode, Choro) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Rappresentatione di Anima, et di Corpo, Atto secondo: Scena settima (Mondo, Vita mondana, Corpo, Anima, Angelo Custode, Choro) by Emilio de' Cavalieri, Johannette Zomer, Stephan MacLeod, Marco Beasley, L'Arpeggiata, Christina Pluhar, Núria Rial, Béatrice Mayo-Felip to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Un allato messagier | Luigi Rossi, Eva Zaïcik, Le Poème Harmonique, Vincent Dumestre | D Minor | 1 | 7A | 92 BPM | ||
Miserere: II. Tibi soli peccavi | Gregorio Allegri, Le Poème Harmonique, Vincent Dumestre | F Minor | 1 | 4A | 84 BPM | ||
Rappresentatione di anima et di corpo, Atto II Scena 2: "La nostra vita in terra" (Consiglio) | Emilio de' Cavalieri, Gyula Orendt, Akademie für Alte Musik Berlin, René Jacobs | D Major | 1 | 10B | 118 BPM | ||
Lamentationes Jeremiae Prophetae, Prima die: Lectio secondo | Emilio de' Cavalieri, Profeti Della Quinta | A♭ Major | 1 | 4B | 92 BPM | ||
Quatrième suite in A Minor: No. 2, Allemande | Marin Marais, François Joubert-Caillet, L'Achéron | F♯ Minor | 1 | 11A | 94 BPM | ||
Euridice, Prologo - La Tragedia: Io che d'alti sospir | Jacopo Peri, Ensemble Albalonga, Aníbal E. Cetrangolo, Sylva Pozzer | F Major | 0 | 7B | 98 BPM | ||
Doulce Memoire | Paolo Pandolfo, Céline Scheen, Andrea De Carlo, Thomas Boysen, Guido Morini, Alvaro Garrido | D Minor | 1 | 7A | 59 BPM | ||
Suite in A Major: I. Prelude | Robert de Visée, Yasunori Imamura | G Major | 0 | 9B | 103 BPM | ||
Huc me sidereo | Adrian Willaert, Singer Pur | A Minor | 1 | 8A | 93 BPM | ||
Rappresentatione di anima, et di corpo: O Signor Santo e vero. Proemio (Live) | Emilio de' Cavalieri, Gemma Bertagnolli, Guiseppe Maletto, Berta Rossetti, Claudio Cavina, Roberto Mattei, Antonio Abete, Le Istitutioni Harmoniche, Ensemble di Viole dell'Accademia Strumentale Italiana, Marco Longhini | D Minor | 1 | 7A | 129 BPM |
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