"Lamentationes Jeremiae Prophetae, Prima die: Lectio secondo" by Emilio de' Cavalieri, Profeti Della Quinta was released on September 15, 2023. With this song being about 5 minutes long, at 5:04, "Lamentationes Jeremiae Prophetae, Prima die: Lectio secondo" by Emilio de' Cavalieri, Profeti Della Quinta is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 2 out of 19 in Cavalieri: Lamentationes Jeremiae Prophetae by Emilio de' Cavalieri, Profeti Della Quinta. Going off of the ISRC code of this track, we detected that the origin of this track is from Switzerland. In terms of popularity, Lamentationes Jeremiae Prophetae, Prima die: Lectio secondo is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Lamentationes Jeremiae Prophetae, Prima die: Lectio secondo by Emilio de' Cavalieri, Profeti Della Quinta is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Third Dirge Anthem: I Heard a Voice from Heaven | Thomas Morley, Vox Luminis, Lionel Meunier, Les Trompettes des Plaisirs, Jean-François Madeuf | A♭ Minor | 0 | 1A | 133 BPM | ||
Le nymphe di Rheno, Op. 8: Sonata No. 1 in B Minor: III. Corrente | Johannes Schenck, Margaret Little, Susie Napper, Les Voix Humaines | A Minor | 1 | 8A | 117 BPM | ||
Rappresentatione di anima et di corpo, Atto II Scena 3: O quanti errori e tenebre (Choro) | Emilio de' Cavalieri, Chor der Deutschen Staatsoper Berlin, Akademie für Alte Musik Berlin, René Jacobs | G Major | 1 | 9B | 121 BPM | ||
Isorhythmic Motets: Vasilissa ergo gaude | Guillaume Dufay, Huelgas Ensemble, Paul Van Nevel | G Minor | 2 | 6A | 120 BPM | ||
Myn hert altyt heeft verlanghen I | Pierre de la Rue, Capilla Flamenca, Patrick Denecker | G Minor | 2 | 6A | 96 BPM | ||
Rappresentatione di anima et di corpo, Atto II Scena 7: "Io son, io son il mondo" (Il Mondo) | Emilio de' Cavalieri, Marcos Fink, Johannes Weisser, Marie-Claude Chappuis, Christina Roterberg, Luciana Mancini, Chor der Deutschen Staatsoper Berlin, Akademie für Alte Musik Berlin, René Jacobs | G Major | 1 | 9B | 85 BPM | ||
Nolo mortem peccatoris | Thomas Morley, Stile Antico | F Minor | 1 | 4A | 79 BPM | ||
Motets: Cantate domino | Gregorio Allegri, A Sei Voci, Bernard Fabre-Garrus | F Major | 2 | 7B | 77 BPM | ||
Deus, qui beatum Marcum a 10, C. 36 | Giovanni Gabrieli, Gesualdo Consort Amsterdam, Oltremontano, Wim Becu | B Major | 1 | 1B | 87 BPM | ||
Spagnolette | Pierre Francisque Carroubel, Le Poème Harmonique, Vincent Dumestre | D Minor | 0 | 7A | 86 BPM |
Section: 0.6347799301147461
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