"Seven Songs, Op. 17:6 Till, KVällen (In the Evening)" by Birgit Nilsson, Geoffrey Parsons was released on March 3, 1953. With Seven Songs, Op. 17:6 Till, KVällen (In the Evening) being less than two minutes long, at 1:29, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 41 in the song's album "Presenting Birgit Nilsson". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Germany. Based on our statistics, Seven Songs, Op. 17:6 Till, KVällen (In the Evening)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Seven Songs, Op. 17:6 Till, KVällen (In the Evening) by Birgit Nilsson, Geoffrey Parsons having a BPM of 134 with a half-time of 67 BPM and a double-time of 268 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Der Freischütz, J. 277 / Act 3: "Wir winden dir den Jungfernkranz" | Carl Maria von Weber, Renate Hoff, Renate Krahmer, Ingeborg Springer, Brigitte Pfretzschner, Ingrid Hille, MDR Leipzig Radio Chorus, Staatskapelle Dresden, Carlos Kleiber | C Major | 0 | 8B | 99 BPM | ||
Die Frau ohne Schatten, Op. 65, TrV 234 / Act 1: Dieb! Da nimm!...Reiss ihn nach hinten...Zu hilfe" - Live | Richard Strauss, Hans Helm, Lorenzo Alvary, Murray Dickie, Birgit Nilsson, Walter Berry, Vienna State Opera Orchestra, Karl Böhm | B♭ Minor | 3 | 3A | 107 BPM | ||
Vier Letzte Lieder (Four Last Songs), Av 150: Iv Im Abendrot (Evening) | Birgit Nilsson | F Major | 1 | 7B | 87 BPM | ||
Siegfried / Dritter Aufzug: "Ewig war ich" | Richard Wagner, Birgit Nilsson, Wolfgang Windgassen, Wiener Philharmoniker, Sir Georg Solti | D Major | 3 | 10B | 93 BPM | ||
Don Giovanni, K.527 / Act 1: "Non ti fidar, o misera" | Wolfgang Amadeus Mozart, Martina Arroyo, Birgit Nilsson, Peter Schreier, Dietrich Fischer-Dieskau, Orchestra Of The National Theatre Prague, Karl Böhm | B♭ Major | 1 | 6B | 119 BPM | ||
Tosca / Act 1: "Or tutto è chiaro...Mario?! Mario?!" | Giacomo Puccini, Dietrich Fischer-Dieskau, Birgit Nilsson, Alfredo Mariotti, Orchestra dell'Accademia Nazionale di Santa Cecilia, Lorin Maazel | B♭ Major | 2 | 6B | 138 BPM | ||
Nabucco / Act 1: Sperate, o figli! | Giuseppe Verdi, Yevgeny Nesterenko, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli, Chor der Deutschen Oper Berlin | C Major | 1 | 8B | 137 BPM | ||
Wagner: Tannhäuser, Act 1: "Dank deiner Huld, gepriesen sei dein Leben!" (Tannhäuser, Venus) | Richard Wagner, Daniel Barenboim, Chor der Deutschen Staatsoper Berlin, Peter Seiffert, Staatskapelle Berlin, Waltraud Meier | D Major | 3 | 10B | 82 BPM | ||
Tosca / Act 2: "Orsù, Tosca, parlate...Mario, consenti ch'io parli?" | Giacomo Puccini, Dietrich Fischer-Dieskau, Birgit Nilsson, Franco Corelli, Piero de Palma, Dino Mantovani, Orchestra dell'Accademia Nazionale di Santa Cecilia, Lorin Maazel | B♭ Major | 3 | 6B | 125 BPM | ||
Tosca / Act 3: "Presto, su! Mario!" | Giacomo Puccini, Birgit Nilsson, Piero de Palma, Dino Mantovani, Orchestra dell'Accademia Nazionale di Santa Cecilia, Lorin Maazel | E♭ Minor | 4 | 2A | 86 BPM |
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