Tosca / Act 3: "Presto, su! Mario!" - Giacomo Puccini, Birgit Nilsson, Piero de Palma, Dino Mantovani, Orchestra dell'Accademia Nazionale di Santa Cecilia, Lorin Maazel Information

Acousticness: 95%
Danceability: 36%
Energy: 36%
Instrumentalness: 4%
Liveness: 19%
Loudness: 81%
Speechiness: 8%
Valence: 23%
Popularity: 3%
Loudness: -11.385 dB

Summary

Giacomo Puccini, Birgit Nilsson, Piero de Palma, Dino Mantovani, Orchestra dell'Accademia Nazionale di Santa Cecilia, Lorin Maazel's 'Tosca / Act 3: "Presto, su! Mario!"' came out on July 13, 1967. With Tosca / Act 3: "Presto, su! Mario!" being less than two minutes long, at 1:21, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 29 in the song's album "Puccini: Tosca". In this album, this song's track order is #29. Tosca / Act 3: "Presto, su! Mario!" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Tosca / Act 3: "Presto, su! Mario!" BPM

With Tosca / Act 3: "Presto, su! Mario!" by Giacomo Puccini, Birgit Nilsson, Piero de Palma, Dino Mantovani, Orchestra dell'Accademia Nazionale di Santa Cecilia, Lorin Maazel having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.

Tosca / Act 3: "Presto, su! Mario!" Key

This song is in the music key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
O tu che in seno agli Angeli	Mario del Monaco	D Major	2	10B	93 BPM
Suor Angelica: Sorelle in umiltà, mancaste alla quindena	Giacomo Puccini, Elizabeth Connell, Helen Walker, Doreen Walker, Enid Hartle, Marie McLaughlin, Isobel Buchanan, Miriam Bowen, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge	D Major	1	10B	170 BPM
Puccini: La rondine, Act 1: "Chi il bel sogno di Doretta" (Magda)	Giacomo Puccini, Kiri Te Kanawa, Kent Nagano, Orchestre de l'Opéra de Lyon	F Major	2	7B	168 BPM
Vier letzte Lieder, TrV 296: 2. September	Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur	D Major	1	10B	153 BPM
La Wally/Ebben, Ne Andrò Lontana	Montserrat Caballé, Orquesta Sinfónica de Barcelona	E Minor	1	9A	79 BPM
La Bohème / Act 1: "O soave fanciulla"	Giacomo Puccini, Anna Netrebko, Rolando Villazón, Boaz Daniel, Bavarian Radio Symphony Orchestra, Bertrand de Billy	G Major	1	9B	72 BPM
Trois chansons de Bilitis, L. 90: No. 1, La flûte de Pan	Claude Debussy, Anne Sofie von Otter, Bengt Forsberg	F♯ Major	0	2B	85 BPM
Rusalka, Op. 114: Song to the Moon	Lesley Garrett, Andrew Greenwood, Philharmonia Orchestra	F♯ Major	1	2B	106 BPM
Strauss, R: 4 Lieder, Op. 27: No. 4, Morgen! (Version with Orchestra)	Richard Strauss, Elisabeth Schwarzkopf, George Szell, London Symphony Orchestra	G Major	1	9B	75 BPM
Gianni Schicchi: "O mio babbino caro"	Giacomo Puccini, Mirella Freni, Orchestra del Maggio Musicale Fiorentino, Bruno Bartoletti	A♭ Major	1	4B	171 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.8266959190368652

End: 0.8306999206542969