"Suor Angelica: Sorelle in umiltà, mancaste alla quindena" by Giacomo Puccini, Elizabeth Connell, Helen Walker, Doreen Walker, Enid Hartle, Marie McLaughlin, Isobel Buchanan, Miriam Bowen, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge was released on January 1, 1998. Since Suor Angelica: Sorelle in umiltà, mancaste alla quindena is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 14 in the song's album "Puccini: Suor Angelica". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United Kingdom. The popularity of Suor Angelica: Sorelle in umiltà, mancaste alla quindena is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Suor Angelica: Sorelle in umiltà, mancaste alla quindena by Giacomo Puccini, Elizabeth Connell, Helen Walker, Doreen Walker, Enid Hartle, Marie McLaughlin, Isobel Buchanan, Miriam Bowen, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge having a BPM of 170 with a half-time of 85 BPM and a double-time of 340 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Gezeichneten / Act 1: Ah, bei der Madonna, bald hätt' ich's vergessen | Franz Schreker, Oliver Widmer, László Polgár, Monte Pederson, Heinz Kruse, Elizabeth Connell, Robert Worle, Endrik Wottrich, Matthias Goerne, Kristinn Sigmundsson, Petteri Salomaa, Deutsches Symphonie-Orchester Berlin, Lothar Zagrosek | A Major | 1 | 11B | 78 BPM | ||
Don Giovanni, K.527, Act II: Aria. "Mi tradì quest"alma ingrata" | Wolfgang Amadeus Mozart, Golda Schultz, Kammerakademie Potsdam, Antonello Manacorda | G Major | 3 | 9B | 123 BPM | ||
Puccini: Tosca, Act 1: "Mario! Mario! Mario! Son qui!" (Tosca, Cavaradossi) | Giacomo Puccini, Antonio Pappano, Angela Gheorghiu, Roberto Alagna, Orchestra of the Royal Opera House & Covent Garden | D Major | 0 | 10B | 84 BPM | ||
Puccini: La rondine, Act 2: "Perché mai cercare di saper" (Magda, Ruggero, Chorus, Rabonier) | Giacomo Puccini, Angela Gheorghiu, Antonio Pappano, London Symphony Orchestra | B♭ Major | 8 | 6B | 98 BPM | ||
Massenet: Don Quichotte, Act 1: "Alza ! Quand la femme a vingt ans" (Dulcinée, Pedro, Garcias, Rodriguez, Juan, Chœur) | Jules Massenet, Teresa Berganza, Christian Papis, Choeur Du Capitole De Toulouse, Isabelle Vernet, Marie-Ange Todorovitch, Nicolas Rivenq, Michel Plasson, Orchestre National Du Capitole De Toulouse | G Minor | 0 | 6A | 78 BPM | ||
Puccini: Turandot, Act 1: "O giovinetto! Grazia! Grazia!" (La Folla, Calaf, Sacerdoti bianchi) | Giacomo Puccini, Franco Corelli, Francesco Molinari-Pradelli, Orchestra Del Teatro Dell'Opera Di Roma | A♭ Minor | 2 | 1A | 73 BPM | ||
Mahler: Symphony No. 8 in E-Flat Major "Symphony of a Thousand": I. Hymnus, Veni Creator spiritus. "Gloria sit Patri Domino" | Gustav Mahler, Elizabeth Connell/Edith Wiens/Dame Felicity Lott/Trudeliese Schmidt/Nadine Denize/Richard Versalle/Jorma Hynninen/Hans Sotin/London Philharmonic Choir/Tiffin School Boys' Choir/London Philharmonic Orchestra/Klaus Tennstedt, Edith Wiens, Elizabeth Connell, Hans Sotin, Jorma Hynninen, London Philharmonic Choir, Nadine Denize, Richard Versalle, Tiffin School Boys' Choir, Trudeliese Schmidt, Klaus Tennstedt, London Philharmonic Orchestra | F Minor | 4 | 4A | 69 BPM | ||
Ye Banks And Braes | Isobel Buchanan | A♭ Major | 2 | 4B | 104 BPM | ||
Lohengrin (continued): Zuruck Elsa! Nicht länger will ich dulden (Ortrud) | Richard Wagner, Woldemar Nelsson, Elizabeth Connell, Bayreuth Festival Orchestra | A Minor | 2 | 8A | 119 BPM | ||
Lohengrin (continued): Entweihte Gotter! Helft jetzt meiner Rache! (Ortrud) | Richard Wagner, Woldemar Nelsson, Elizabeth Connell, Bayreuth Festival Orchestra | A Minor | 2 | 8A | 119 BPM |
Section: 0.9782967567443848
End: 0.9842405319213867