"Bohemios: Intermedio" by Amadeo Vives, Maria Bayo, Orquesta Sinfonica De Tenerife, Antonio Ros Marbà was released on January 1, 1996. With this song being about 5 minutes long, at 5:26, "Bohemios: Intermedio" by Amadeo Vives, Maria Bayo, Orquesta Sinfonica De Tenerife, Antonio Ros Marbà is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Viva la Zarzuela ! by Maria Bayo. The song's track number on the album is #6 out of 17 tracks. Based on our statistics, Bohemios: Intermedio's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Bohemios: Intermedio by Amadeo Vives, Maria Bayo, Orquesta Sinfonica De Tenerife, Antonio Ros Marbà has a tempo of 148 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Bohemios: Intermedio being at 148 BPM, the half-time would be 74 BPM with a double-time of 296 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, jogging or cycling. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lucia di Lammermoor / Act 3: Oh, giusto cielo!...Il dolce suono | Gaetano Donizetti, Dame Joan Sutherland, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Minor | 1 | 4A | 92 BPM | ||
Maruxa: "Guarda, Rufo, Que Vienen los Novios Riñendo" | Luis Pascual Frutos, Amadeo Vives, Gran Orquesta de Cámara de Madrid | B Minor | 6 | 10A | 103 BPM | ||
Canzonetta spagnuola | Gioachino Rossini, Giuseppina Bridelli, Alessandro Marangoni | D Major | 4 | 10B | 103 BPM | ||
Bohemios: Escena y coro de bohemios: Victor, Juana, Cecilia y coro general | Amadeo Vives, Guillermo Perrin, Miguel de Palacios, Carlos Munguia, Teresa Berganza, Ana Maria Fernandez, Ataúlfo Argenta, Gran Orquesta Sinfonica | E♭ Major | 5 | 5B | 120 BPM | ||
La Traviata - Act. Iii - Addio Del Passato | Renata Scotto | A Minor | 1 | 8A | 72 BPM | ||
Alli la Tienes | Amadeo Vivos, Amadeo Vives | G Major | 5 | 9B | 174 BPM | ||
Cavalleria rusticana: "Viva il vino spumeggiante" (Brindisi) | Pietro Mascagni, Adriane Martino, Carlo Bergonzi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano | A♭ Major | 3 | 4B | 126 BPM | ||
Doña Francisquita: Fandango | Amadeo Vives, Orquesta Sinfónica y Coro Radio Televisión Española | G Major | 5 | 9B | 174 BPM | ||
Rigoletto: Scorrendo uniti remota via | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Rafael Frühbeck de Burgos | A Major | 1 | 11B | 118 BPM | ||
Mattinata (Orch. Luck) | Ruggero Leoncavallo, Freddie De Tommaso, London Philharmonic Orchestra, Renato Balsadonna | B Major | 3 | 1B | 84 BPM |
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