Amadeo Vives, Guillermo Perrin, Miguel de Palacios, Carlos Munguia, Teresa Berganza, Ana Maria Fernandez, Ataúlfo Argenta, Gran Orquesta Sinfonica's 'Bohemios: Escena y coro de bohemios: Victor, Juana, Cecilia y coro general' came out on May 15, 2006. Since Bohemios: Escena y coro de bohemios: Victor, Juana, Cecilia y coro general is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Amadeo Vives, Miguel de Palacios, Guillermo Perrin, Various Artists, Ataúlfo Argenta, Julian Perera, Jose Perera, Gran Orquesta Sinfonica's "La Zarzuela: Bohemios" album is number 3 out of 6. Based on our statistics, Bohemios: Escena y coro de bohemios: Victor, Juana, Cecilia y coro general's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Bohemios: Escena y coro de bohemios: Victor, Juana, Cecilia y coro general by Amadeo Vives, Guillermo Perrin, Miguel de Palacios, Carlos Munguia, Teresa Berganza, Ana Maria Fernandez, Ataúlfo Argenta, Gran Orquesta Sinfonica to be Moderato (at a moderate speed) because the track has a tempo of 120 BPM, a half-time of 60BPM, and a double-time of 240 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Goyescas (with The Royal Philharmonic Orchestra) | Luis Cobos, Royal Philharmonic Orchestra | E♭ Major | 1 | 5B | 112 BPM | ||
Maruxa: "Maruxa, Sí, Esa Era la Pastora" | Luis Pascual Frutos, Amadeo Vives, Gran Orquesta de Cámara de Madrid | G Major | 5 | 9B | 174 BPM | ||
La Vida Breve, G. 35, Act II, First Tableau, Scene I: Danza | Manuel de Falla, BBC Philharmonic, Juanjo Mena, RTVE Symphony Chorus, Nancy Fabiola Herrera, Cristina Faus, Aquiles Machado, Raquel Lojendio, Josep Miquel Ramón | G Major | 1 | 9B | 93 BPM | ||
Core 'ngrato (orch. G. Chiaramello) | Salvatore Cardillo, Giancarlo Chiaramello, Dmitri Hvorostovsky, Russian Philharmonia, Constantine Orbelian | D♭ Major | 1 | 3B | 136 BPM | ||
El amor brujo: Danza ritual del fuego, para ahuyentar los malos espíritus | Manuel de Falla, Orchestre Symphonique de Montréal, Charles Dutoit | G Major | 1 | 9B | 141 BPM | ||
Brindis y Mazurka | Amadeo Vivos, Amadeo Vives | C Major | 4 | 8B | 138 BPM | ||
Maruxa: "Coro General" | Luis Pascual Frutos, Amadeo Vives, Gran Orquesta de Cámara de Madrid | E♭ Major | 2 | 5B | 136 BPM | ||
Norma (1997 - Remaster), Act I, Scene 1: Casta diva (Norma/Coro) | Vincenzo Bellini, Maria Callas, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | F Major | 1 | 7B | 140 BPM | ||
Bellini: I puritani, Act 1: "Ah per sempre io ti perdei" (Riccardo) | Vincenzo Bellini, Ernest Blanc, Orchestre De La Société Des Concerts Du Conservatoire, Georges Prêtre | D♭ Major | 2 | 3B | 136 BPM | ||
Si, Mi Chiamano Mimì - la Boheme Atto I | Renata Tebaldi | D Major | 2 | 10B | 80 BPM |
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