Luis Pascual Frutos, Amadeo Vives, Gran Orquesta de Cámara de Madrid's 'Maruxa: "Coro General"' came out on December 3, 2013. With this song being around four minutes long, at 3:35, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Zarzuela: Maruxa by Amadeo Vives, Luis Pascual Frutos, Gran Orquesta de Cámara de Madrid. The song's track number on the album is #5 out of 18 tracks. Based on our data, Spain was the country where this track was produced or recorded. Based on our statistics, Maruxa: "Coro General"'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Maruxa: "Coro General" by Luis Pascual Frutos, Amadeo Vives, Gran Orquesta de Cámara de Madrid has a tempo of 136 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Maruxa: "Coro General" being at 136 BPM, the half-time would be 68 BPM with a double-time of 272 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lucia di Lammermoor, Act I: Ah, verranno a te sull'aure | Gaetano Donizetti, Zuzana Markova, Andrea Bocelli, Orchestra del Teatro Carlo Felice di Genova, Andriy Yurkevych | D♭ Major | 4 | 3B | 78 BPM | ||
Iris, Act I: Apri la tua finestra! | Pietro Mascagni, Vittorio Grigolo, Pier Giorgio Morandi, Czech National Symphony Orchestra | F Major | 1 | 7B | 170 BPM | ||
The Story of an Unknown Actor: XI | U.S.S.R Cinematography Symphony Orchestra, Emin Khachaturian | C Minor | 3 | 5A | 62 BPM | ||
Donizetti: Lucia di Lammermoor, Act 2: "Appressati, Lucia" (Enrico) | Gaetano Donizetti, Tullio Serafin, Tito Gobbi, Orchestra del Maggio Musicale Fiorentino | C Major | 0 | 8B | 72 BPM | ||
La Condesa de la Aguja y el Dedal: "Perdóname, Gonzalo..." | Jesús Mª Arozamena, Adolfo Torrado, Jesús Guridi, Gran Orquesta Sinfónica del Teatro Calderón | E♭ Major | 2 | 5B | 88 BPM | ||
Los Cadetes de la Reina: Es el Pecado Más Horrible… Mariposa Es la Reina Gentil (Septimino) - Remastered | Julián Moyrón, Pablo Luna, Marcos Redondo | E♭ Major | 4 | 5B | 110 BPM | ||
Lucia di Lammermoor, Act I: La pietade in suo favore | Gaetano Donizetti, Stefano Antonucci, Mariano Buccino, Coro del Teatro Carlo Felice di Genova, Orchestra del Teatro Carlo Felice di Genova, Andriy Yurkevych | G Major | 3 | 9B | 72 BPM | ||
Las Golondrinas, Final, II parte: "¡Oh, Puck, por ti mi corazón!" | Coro del Gran Teatro Lírico de Bacelona, Fidela Campiña, Carlo Galeffi | E♭ Major | 2 | 5B | 129 BPM | ||
La Verbena de la Paloma, Act I: Rita y Julián (Rita, Julián, Guardia 1, Guardia 2, Casta, Susana, Antonia, Hilarión) | Tomás Bretón, Rafael Castejon, Antoni Ros Marbá, Orquesta Sinfónica de Madrid | C Major | 2 | 8B | 96 BPM | ||
Las Golondrinas: "Canción de Lina" | Coro del Gran Teatro Lírico de Bacelona, Fidela Campiña | E♭ Major | 2 | 5B | 129 BPM |
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