"Fantasía para un gentilhombre: II. Espanoleta y Fanfare de la Caballería de Napoles" by Joaquín Rodrigo, James Galway, Eduardo Mata was released on 1979. Since Fantasía para un gentilhombre: II. Espanoleta y Fanfare de la Caballería de Napoles is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 7 in the song's album "Rodrigo: Concierto Pastoral & Fantasía para un gentilhombre". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United States. In terms of popularity, Fantasía para un gentilhombre: II. Espanoleta y Fanfare de la Caballería de Napoles is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Fantasía para un gentilhombre: II. Espanoleta y Fanfare de la Caballería de Napoles by Joaquín Rodrigo, James Galway, Eduardo Mata having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Adagio Variation (From Adagio in G Minor, Arr. for Violin and Piano by Svetoslav Karparov) | Tomaso Albinoni, Remo Giazotto, Gabriele Bagnati, Esther Abrami | G Major | 1 | 9B | 119 BPM | ||
3 Pequenas piezas: No. 3. Pequena sevillana | Joaquín Rodrigo, Jérémy Jouve | D Major | 2 | 10B | 104 BPM | ||
Hungarian Dance No. 1 in G Minor: Allegro molto | Johannes Brahms, Staatskapelle Berlin | G Minor | 1 | 6A | 91 BPM | ||
King Arthur, Z. 628, "The British Worthy": Air | Henry Purcell, Nancy Argenta, CBC Vancouver Orchestra, Monica Huggett | D♭ Minor | 0 | 12A | 114 BPM | ||
Suite, Castellana: II "Arada" | Federico Moreno Torroba, Alexander-Sergei Ramírez | D Minor | 0 | 7A | 94 BPM | ||
Intermezzo No. 1 in E Minor | Manuel Ponce, Lang Lang | E Minor | 1 | 9A | 106 BPM | ||
Étude No. 5 (arr. of F. Sor: 24 Very Easy Exercises Op. 35 No. 22) | Fernando Sor, Roland Dyens, Quatuor Arthur. Le Blanc | D Major | 0 | 10B | 129 BPM | ||
Moving to the Ghetto Oct. 31, 1940 | Wojciech Kilar, Tadeusz Strugala, The Warsaw Philharmonic National Orchestra of Poland | A Minor | 0 | 8A | 101 BPM | ||
En Los Trigales | Joaquín Rodrigo, Carlos Pérez | G Minor | 2 | 6A | 114 BPM | ||
Barber: Adagio for Strings, Op. 11 | Samuel Barber, Eugene Ormandy, Philadelphia Orchestra | B♭ Minor | 1 | 3A | 80 BPM |
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