- BPM
- 136
- Key
- B Major
- Camelot
- 1B
Nocturne, L. 82 (Arr. for Cello and Piano by Olivier Hébert-Bouchard) - Claude Debussy, Stéphane Tétreault, Olivier Hébert-Bouchard Information
- Acousticness
- 96%
- Danceability
- 15%
- Energy
- 8%
- Instrumentalness
- 89%
- Liveness
- 10%
- Loudness
- 64%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 11%
- Loudness
- -21.768 dB
Summary
"Nocturne, L. 82 (Arr. for Cello and Piano by Olivier Hébert-Bouchard)" by Claude Debussy, Stéphane Tétreault, Olivier Hébert-Bouchard was released on March 17, 2023. Since Nocturne, L. 82 (Arr. for Cello and Piano by Olivier Hébert-Bouchard) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 4 out of 17 in Claude Debussy: Images oubliées by Claude Debussy, Stéphane Tétreault, Olivier Hébert-Bouchard. Going off of the ISRC code of this track, we detected that the origin of this track is from Canada. Based on our statistics, Nocturne, L. 82 (Arr. for Cello and Piano by Olivier Hébert-Bouchard)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Nocturne, L. 82 (Arr. for Cello and Piano by Olivier Hébert-Bouchard) BPM
The tempo marking of Nocturne, L. 82 (Arr. for Cello and Piano by Olivier Hébert-Bouchard) by Claude Debussy, Stéphane Tétreault, Olivier Hébert-Bouchard is Allegro (fast, quick, and bright), since this song has a tempo of 136 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
Nocturne, L. 82 (Arr. for Cello and Piano by Olivier Hébert-Bouchard) Key
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Estampes: I. Pagodes. Modérément animé | Claude Debussy, Alain Planès | B Major | 0 | 1B | 68 BPM | |
 | 2 Arabesques, L. 66: No. 1 in E Major | Claude Debussy, Michael Korstick | E Major | 0 | 12B | 109 BPM | |
 | 33 Miniatures for Piano (Excerpts): No. 22, Grazioso | Giya Kancheli, Elisaveta Blumina | F Major | 0 | 7B | 0 BPM | |
 | 6 Album Leaves, Op. 2, JB 1:51: No. 2 in A Minor, Chanson. Moderato | Bedřich Smetana, Jitka Čechová | A Minor | 0 | 8A | 66 BPM | |
 | 2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G Major | Antonín Dvořák, Stefan Veselka | G Major | 0 | 9B | 66 BPM | |
 | Piano Concerto No. 2 in C Minor, Op. 18: 1. Moderato | Sergei Rachmaninoff, Valentina Lisitsa, London Symphony Orchestra, Michael Francis | C Minor | 1 | 5A | 55 BPM | |
 | 12 Songs, Op. 21: V. Lilacs (Transcr. Rachmaninoff for Solo Piano) | Sergei Rachmaninoff, Sergei Babayan | A♭ Major | 0 | 4B | 78 BPM | |
 | Suite Bergamasque, L. 75: Passepied | Claude Debussy, Martin Jones | F♯ Minor | 0 | 11A | 90 BPM | |
 | Kinderszenen, Op. 15: No. 7, Träumerei | Robert Schumann, Vladimir Horowitz | F Major | 0 | 7B | 114 BPM | |
 | Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.1 in C major BWV846 | Daniel Barenboim | C Major | 0 | 8B | 95 BPM |
- ISRC
- CAJ722386304
- Label
- L-M Records/RCA Records
Section: 0.6640777587890625
End: 0.6678848266601562