Wolfgang Amadeus Mozart, William Shimell made "Mozart: Don Giovanni, K. 527, Act 1 Scene 15: Recitativo, "Io deggio ad ogni patto" (Leporello, Don Giovanni)" available on October 31, 1988. With Mozart: Don Giovanni, K. 527, Act 1 Scene 15: Recitativo, "Io deggio ad ogni patto" (Leporello, Don Giovanni) being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Riccardo Muti's "Mozart: The Da Ponte Operas" album is number 1 out of 214. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Mozart: Don Giovanni, K. 527, Act 1 Scene 15: Recitativo, "Io deggio ad ogni patto" (Leporello, Don Giovanni) is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Mozart: Don Giovanni, K. 527, Act 1 Scene 15: Recitativo, "Io deggio ad ogni patto" (Leporello, Don Giovanni) by Wolfgang Amadeus Mozart, William Shimell to be Moderato (at a moderate speed) because the track has a tempo of 109 BPM, a half-time of 54BPM, and a double-time of 218 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 1/4.
The music key of this track is C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Puccini: Tosca, Act 2 Scene 2: "O galantuomo, come andò la caccia?" (Scarpia, Spoletta) | Giacomo Puccini, Tito Gobbi, Angelo Mercuriali, Orchestra Del Teatro Alla Scala, Milano, Victor de Sabata | B Major | 5 | 1B | 88 BPM | ||
La Cenerentola / Act 2: "Ah! Questa bella incognita!" | Gioachino Rossini, William Matteuzzi, Alessandro Corbelli, Cecilia Bartoli, Michele Pertusi, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | D Major | 1 | 10B | 138 BPM | ||
Carmen (1997 - Remaster), Act I: Mon officier, c'était une querelle | Georges Bizet, Maria Callas, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | C Major | 1 | 8B | 139 BPM | ||
La Cenerentola / Act 1: "Ma bravo, bravo, bravo" | Gioachino Rossini, Alessandro Corbelli, Enzo Dara, William Matteuzzi, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | A Major | 2 | 11B | 139 BPM | ||
Die Zauberflöte, K. 620 / Zweiter Aufzug: "O Isis und Osiris" | Wolfgang Amadeus Mozart, Franz Crass, Berliner Philharmoniker, Karl Böhm, RIAS Kammerchor | F Major | 1 | 7B | 90 BPM | ||
Il Barbiere di Siviglia: Ah! disgraziato me! - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly | D Major | 1 | 10B | 106 BPM | ||
Carmen (1997 - Remaster), Act III: Trio des Cartes: Mêlons! Coupons! | Georges Bizet, Maria Callas, Nadine Sautereau, Jane Berbié, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Paris Opera Orchestra | F Major | 1 | 7B | 125 BPM | ||
La Sonnambula / Act 1: Domani appena aggiorni, ci recheremo al tiempo | Vincenzo Bellini, Cecilia Bartoli, Gemma Bertagnolli, Juan Diego Flórez, Ildebrando D'Arcangelo, Chor des Opernhauses Zürich, Orchestra La Scintilla, Alessandro De Marchi | G Minor | 0 | 6A | 103 BPM | ||
Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act II Scene 3: Aria - Venite, Inginocchiatevi | Donato Di Stefano, Ingrid Kertesi, Roberto Frontali, Jozsef Mukk, Natale de Carolis, Maria Pia Ionata, Patrizia Pace, Hungarian State Opera Orchestra, Lorenzo Da Ponte, Wolfgang Amadeus Mozart | G Major | 0 | 9B | 65 BPM | ||
La Cenerentola / Act 1: "Allegrissimamente" | Gioachino Rossini, Alessandro Corbelli, Fernanda Costa, Enzo Dara, William Matteuzzi, Cecilia Bartoli, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | A Major | 2 | 11B | 139 BPM |
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