Gioachino Rossini, William Matteuzzi, Alessandro Corbelli, Cecilia Bartoli, Michele Pertusi, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly's ' "La Cenerentola / Act 2: "Ah! Questa bella incognita!"" was released on its scheduled release date, January 1, 1993. The duration of This song is about 3 minutes long, at 3:18. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 40 in the song's album "Rossini: La Cenerentola". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, La Cenerentola / Act 2: "Ah! Questa bella incognita!"'s popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With La Cenerentola / Act 2: "Ah! Questa bella incognita!" by Gioachino Rossini, William Matteuzzi, Alessandro Corbelli, Cecilia Bartoli, Michele Pertusi, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly having a BPM of 138 with a half-time of 69 BPM and a double-time of 276 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Eugene Onegin, Op. 24, TH. 5 / Act II: Scene and Couplets. "Uzhel ya zasluzhil ot nasmyeshku etu?" | Pyotr Ilyich Tchaikovsky, Anne Sofie von Otter, Neil Shicoff, Michel Sénéchal, Thomas Allen, Staatskapelle Dresden, James Levine, MDR Leipzig Radio Chorus | E Minor | 2 | 9A | 78 BPM | ||
La Gioconda / Act 1: "Voce di donna o d'angelo" | Amilcare Ponchielli, Olga Borodina, Orchestra of the Welsh National Opera, Carlo Rizzi | E♭ Major | 1 | 5B | 78 BPM | ||
Norma - Critical Edition by Maurizio Biondi and Riccardo Minasi / Act 1 Scene 2: "Vanne, e li cela entrambi" | Vincenzo Bellini, Cecilia Bartoli, Liliana Nikiteanu, Orchestra La Scintilla, Giovanni Antonini | A Major | 1 | 11B | 74 BPM | ||
Ah Perfido!, Op. 65: "Ah, Perfido!" | Ludwig van Beethoven, Cecilia Bartoli, Kammerorchester Basel, Muhai Tang | B♭ Major | 1 | 6B | 95 BPM | ||
Strauss, R: Der Rosenkavalier, Op. 59, Act 1: "Lachst du mich aus? ... Lach' ich dich aus?" (Octavian, Marschallin) | Richard Strauss, Herbert von Karajan, Elisabeth Schwarzkopf, Christa Ludwig, Philharmonia Orchestra | A Major | 0 | 11B | 123 BPM | ||
Così fan tutte, K.588 / Act 1: "Oh, la saria da ridere!" | Wolfgang Amadeus Mozart, Alessandro Corbelli, Mojca Erdmann, Chamber Orchestra of Europe, Yannick Nézet-Séguin | E Minor | 1 | 9A | 85 BPM | ||
Les Contes d'Hoffmann / Act 2: O Dieu! De quelle ivresse | Jacques Offenbach, Plácido Domingo, Orchestre de la Suisse Romande, Richard Bonynge | C Major | 2 | 8B | 77 BPM | ||
Andrea Chenier: Act I: Compiacente á colloquii | Umberto Giordano, Sherrill Milnes, James Levine | F♯ Minor | 2 | 11A | 129 BPM | ||
Fedora / Act 2: "Amor ti vieta" | Umberto Giordano, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | C Major | 3 | 8B | 93 BPM | ||
In Quelle Trine Morbide - Manon Lescaut Atto Ii | Renata Tebaldi | D♭ Major | 2 | 3B | 93 BPM |